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Full Transcript for #2571 - Jimmy Carr

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  1. Had Jeremy Clarkson Ever Been to a Comedy Club?3:06
  2. What Is the Difference Between an Artist and an Entertainer?5:36
  3. Did Cleopatra Live Closer to Our Time Than to the Pyramids' Construction?13:10
  4. What Happened to Summer in Europe After Krakatoa?20:53
  5. What Four Events Equalize a Society?25:55
  6. Is Adderall Basically Speed?38:23
  7. Why Does Jimmy Carr Back Gambling on Yourself?40:16
  8. When Did Joe Rogan Meet His Friend Tommy?44:16
  9. How Much Do Chinese Pool Tournaments Pay?48:15
  10. Where Does Musical Notation Come From?56:40
  11. How Does Jimmy Carr Treat Alcohol?1:18:03
  12. What Is the Fourth Turning?1:35:43
  13. What Is the Kailasa Temple?1:41:31
  14. Why Was Fritz Haber Wanted for War Crimes?1:44:22
  15. How Does Drone Warfare Threaten Fixed Military Bases?1:50:39
  16. Why Don't Joke Books Match a Comedy Show?1:59:12
  17. What Is Anthropic's Project Panama?2:08:14
  18. Why Does AI Make Mass Surveillance Cheap?2:14:21
  19. How Does Tim Urban Rank Ways of Thinking?2:18:58
  20. Why Is Changing Your Mind Called Hypocrisy?2:21:33
  21. Why Do People Think They Will Stop Changing?2:26:10
  22. Why Do Schools Still Teach Like the Prussians?2:30:05
  23. What Is the Opposite of Faith?2:35:53
  24. Why Is a Rolex Worth More Than a Casio?2:49:21
  25. Why Is Life Hard for Young People Now?2:51:30

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Hey, Jimmy. Good to see you, friend. I want to thank you so much for introducing me to Clarkson. Oh, it's fun, right? Jeremy Clarkson is the best. He's exactly who you think he is. When you see him on TV, that's who he is. He's fucking hilarious. He was so fun to talk to. Such an interesting guy to talk to. He came down to the mothership last night.

I don't think he's been to a comedy club before. That's wild. He was like, what's going on? What's the show? And when I'm doing a thing called Kill Tony, he went, I don't know what that is, Jim. Are you telling jokes? I went, I'm sort of judging people. Oh, okay. And then he got to the mothership and went, can I get a rosé?

Luckily, I think your missus has a bottle of rosé somewhere, which is now missing. They keep rosé, therefore. Yeah. Well, you know the guy he was with, Willman, who's his producer? They're childhood friends. They were in school together, and they've done everything together. They're just as thick as thieves. You were telling me the whole origin story, how it started out with a syndicated story, a syndicated article.

He started, he used to write reviews for cars in the local paper. He would write these articles, and he's always been like a really funny guy. So it would be a review of a car, but it would be kind of about life and what's going on in the world as well. Always. And he'd write this really kind of funny piece, and then they decided, well, we could sell it to this local paper.

But there's another local paper. And every sort of local paper's got a car section on a Wednesday selling cars. And those guys advertised. And they had to make that look more like a paper. So you could just sell that to every newspaper in the country. So he ended up kind of making a fortune doing that. And that's how he kind of got his reputation.

Wow. Kind of clever to think about kind of how media changes over the years. That was kind of the old newspapers, local papers were the thing. And before he started writing the car articles, what was he doing then? Oh, I mean nothing. Really? Nothing. He was just like, just a guy. He graduated with nothing, I think. He didn't graduate university.

He just was like, uh. He's a funny guy. He was showing me his broken finger from when he punched Piers Morgan. Right, yeah. He's like, do you see that? See that bump? That's from punching Piers Morgan.

Well, well done him. He's so fun, man. We had a great time. You've got to get him on. You've got to get him on. I would love to. He is a little apprehensive. He says every time he opens his mouth about anything on a podcast, the Daily Mail writes a terrible article about him. But it's that thing where you've got other people's opinions about me and none of my business.

Yes. Like, people are going to write things and that's okay. Yeah. But at some stage, you just have to go. And I think it's like a superpower. Not giving a fuck what other people think about you is a superpower. And if you can do that, like, I think comics may be better at it because we're not entertainers in the pure sense. I remember this thing like Robbie Williams said this thing to me.

He said, I'm an entertainer in the pure sense. If you don't love me, I don't love me. Ooh. God, I don't think of musicians as being that way. I would never think of Bob Dylan as that way. Well, I think Bob Dylan is, I think the difference between an entertainer and an artist is if you say to an artist, I love your new record. And they go, well, that's interesting, but I didn't give a fuck.

That's my new record. And I think comics have got that thing where you go, I feel like I write the jokes, but I don't write the show. Do you really think that like an artist would say, I don't give a fuck if you like my record? Yeah. I feel like there's a spectrum of giving a fuck what other people like. But the most important thing is you being able to express yourself.

That's the most important thing. If you're expressing yourself only for other people's love and affection, like if you're just zooming in on what's going to give them the best response, what's going to get me the best response, the most love and affection from those people, that's a trap. I think that's audience capture. It's where you become a covers version of yourself.

Right. That thing of like that fame being like a weird hall of mirrors where you kind of reflect back what you think they want you to be. Yes. As opposed to audience capture. Yeah. Finding something kind of exciting to do. But I do think that some people who are true artists, like I've, I know musicians that are like really good musicians and very popular.

And when people come up to them and say they loved a certain song or they loved a certain album, they genuinely get happy. Yeah. I think that's possible. Well, I think it's possible to say, thank you. I really appreciate that. I'm glad you love that album. I've seen it happen. I wonder if it's a continuum of like, okay, so you've got like, I don't know, Picasso at one end going, listen, I do what I do and I've got to express myself.

And on the other end, it's the guy kind of dancing, desperately trying to get the audience on his side. Well, I think it's a spectrum of varying personalities with the same kind of goal. The kind of goal for an artist is you have an idea and you want to figure out the best form of it to present to other people.

There's all sorts of mentally ill people to get invested in this too. There's people that are out of their fucking mind. Jerry Lee Lewis was accused of drowning his wife. How old was the girl that he married?

Yeah. He famously went on before Chuck... Who did he go on before? Was it Chuck? What was the story where he lit the piano on fire?

I think that's where he had to go. He was 22 and he married his 13 year old first cousin once removed. Okay. Okay. So you got to separate the artist from the art. That's what they always say. Right. But my point is like you got that and then you've got, you know, Kurt Cobain. You've got Jimi Hendrix. You've got Janis Joplin. I would make a distinction here between hyper accelerated rationality, like super smart people doing great stuff and actual genius.

I think genius always comes with a little sprinkle of crazy. Yes. I think it's like there is a price to pay that you would not want to pay. So whether it's, you know, Michael Jackson or, you know, Kurt Cobain, like tortured souls. Yes. Creating this incredible entertainment for us. Yeah. But they're going to a very dark place. Like I've got a theory about the 27 Club.

You know, the 27 Club of like all the people that died aged 27. These incredible musicians, Janis Joplin and Jimi Hendrix and Amy Winehouse. These like incredible artists. And I think it's because they are more sensitive than we are. They've got like everything is they're feeling everything. And to be that good. So then they're numbing themselves.

The drugs are the medication to just I need to not feel this. Well, there's certainly a lot of that going on. No one would deny that. You know, it's just I think whenever you're trying to categorize a group as large as artists and lump them into a specific type of personality traits that, you know, a predetermined pattern of personality traits.

I don't think you could do it. I've just met too many that are so different. I've met like really arrogant ones that are clearly mentally ill that produce incredible works like Kanye West clearly has some mental issues. Yeah, I think that's that's that motherfucker knows how to make some bangers. Yes, it's extraordinary dude. He's he's like the prime example of like you wouldn't want to be everybody be a genius.

I'll be I'll just do my thing. That's great for that the price to pay. I asked Elon Musk once about that and he said you wouldn't want to be me. He goes you wouldn't want to it goes. I just my brain never stops moving. It's like it's horrible. Well, I can't think that storm going on in my head. I sometimes think about that with anxiety. The idea that like anxiety is thought without control and a flow state is control without thought.

Hmm. Like the idea that you could be in a flow state where you're not you kind of you're not thinking you're just doing the thing sometimes on stage. You can hit that and then but the anxiety all of the anxiety that I have if I wake up and I have a panic attack and I'm I'm kind of my mind is spinning is also the thing that's written every joke I've ever written and done everything I've ever done that kind of that nervous energy.

So there's always like a positive to it, but take it to its extreme where you go. The guy can't relax the guy can't sort of I mean, I think here's my theory on Elon Musk. I think he's going to find religion in the next 12 months because right there's there's a theory. It's four things that keep us from God. Right. There's that. Okay, so fame fortune power and pleasure.

And I think he's won every one of those games. I think he's gonna get bored. He's gonna have to go and find God. Interesting fame fortune power pleasure. Maybe he creates God. Maybe that's what them what they're in the middle of doing with these fucking well, this is my you you know the the I'm with Hegel and Nietzsche on this right? So I don't think I don't think we were created in God's image.

But I think we so wanted there to be a God that we created one in our image. I'm going to describe something to you. It's all powerful all knowing it can create miracles and it lives in a cloud.

Now, am I talking about God or AI and both Hegel and Nietzsche got to this 150 years ago. They they they went well is the universe was God there for the Big Bang or is the universe a device for creating God? That's what I is. I believe as well. I believe that it's the whole reason why we innovate. It's the whole reason why we're obsessed with material possessions.

I think all that fuels innovation and the innovation eventually fuels the creation of a digital life form. And it used to sound like science fiction till about 20 years ago. And now we're deep in the middle of it where it's undeniable. It's interesting because you like the Egyptian culture, right? The myths and legends and the permits, because it strikes me that the Greeks got a lot from the Egyptians.

Right. The Greeks basically looked at the Egyptians and went, oh, they felt they felt a nothing because they never innovated. They never changed anything. So the Greeks kind of wanted not to make they didn't want to make that mistake. Like we live closer to Cleopatra than Cleopatra lived to the building of the pyramids. We. Yes, that's it like a weird fact.

They never because they once they once I had it locked in, they just went, OK, that's us. This is our system. There. As opposed to the. There's a that's a narrative of of history. And you should look into the work of your fellow countryman, Graham Hancock. Do you know who he is? No, I don't know. OK, Graham Hancock had a show on Netflix for two seasons.

I don't know if they're going to do a third, but it's called the ancient apocalypse. Is that it? That's it. Right. And it's all about how this was this made for you. No, it feels like it was made specifically for you. I've been a fan of his for a long time. He has. He was actually one of the first guests I ever had on this podcast. Actual jet.

Oh, well, OK. Other than being comedian friends of mine, me and Duncan convinced him to do the podcast when the podcast was like no one was on. I think I have heard this guy on here when he came back. He's been on many, many times. He's a very good friend of mine now. I love him to death. But I think he's right. And I think he's not alone now.

There's dozens of legitimate archaeologists that share his ideas. And then on top of that, you have people that are studying impacts on Earth from extra stellar or interstellar, any kind of asteroid comet impacts, all those different. There's a lot more information about that now than they've ever had before. And there's a big one that aligns up with the end of this previous civilization that probably created all these great works and what we have now.

And this sort of 5 ,000 year period of reconstruction of civilization. Let me see if I can tie all of this together. OK. Artists, Elon Musk's, and the pyramids. And AI. Here we go. And AI. Here we go. I think, this is Terence McKenna's point originally. So pyramids and rockets are the same thing. How's that? OK. So it's a huge amount of human capital is used to send a chosen few to the heavens.

That's what a pyramid is for. I don't think that's what a pyramid's for. And that is what a rocket is for. There's a lot of debate on what the pyramid is for now. But most likely it was some sort of a device. Yeah. We're using it for something. But again, it's for the transcendent is the idea. I don't know. His take was. That idea doesn't hold up anymore.

There's a lot of information about the actual design of the inner dimensions of the pyramid. that leads a lot of legitimate, especially younger archaeologists now, to try to examine what exactly this thing is. Do you know about all the new discoveries that they found because of the ground -penetrating radar? Yeah, I kind of don't know what to make of it because it feels to me like the news cycle now, it feels like that would have been a year's worth of news had that happened 15 years ago.

And now it feels like we move on so quickly. Well, the problem is it's very gate -kept in Egypt. Like that guy that I had on my podcast, Zahi Hawass, he's in charge of whatever gets distributed about whatever official narrative, whatever press releases. He's sort of at the front of the line, and he has been for a long time. And they're very reluctant to give up those reins to any new discovery that doesn't have his name on it and doesn't have their name on it.

It's not approved by them. It's a real problem because there's this labyrinth that was discovered by, well, it was documented by Herodotus. So we're talking thousands of years ago. This incredible structure underneath Giza that's greater than Giza. Now they know that's real now. They've used ground -penetrating radar now. And there was also an explorer, I think, was it the 1800s who went down there? But he could only go so far.

So the water table changed. They had built a dam in the 1960s, and that really fucked it up where they can't go back in there anymore. And so when they built this dam to help agriculture, it raised the water table all around the Giza Plateau. And this labyrinth, this incredible underground structure, was all flooded. So they're trying to figure out what to do about that now, but because of ground -penetrating radar, not only do they know that this exists, without doubt, like they can absolutely document the immense size, but that there's also a 40 -meter -long metallic object that's in the center of a large atrium that looks like a tic -tac.

They don't know what it is. They don't know what metal it is. But they do know it's made out of metal, and it's 40 meters long. And it's underground in this insane structure. And this is from 5 ,000 years ago? Probably longer. This is the real problem. The real problem is we don't know what the origin story of humanity is accurately. We don't know.

This is what the Jesus story is and the Adam and Eve story. There's all these stories. But what we get is there was probably some sort of an event, and then people talked about it for hundreds of years before anybody ever wrote it down. And no one who wrote it down was there, and no one has an accurate, a really accurate representation of what that person says, including the works of Jesus.

Yeah. Well, this is like– I suppose it's that thing of the carcass of the whale, the idea that we're living in a world that we couldn't build again. Like, you know, for Britain, you go, we were the first industrializing nation, right? We built the first railways, and now we are totally incapable of building a railway. Like, the last 15 years, 20 years, the Chinese have covered themselves in high -speed rail, and we've covered ourselves in environmental reports.

Right. We seem incapable of kind of getting shit done. So you go– you have these weird things where you go– the pyramids are there, and we've kind of lost the instruction manual. We couldn't do that again now. Right. If we tried. It's a weird thing with civilizations where they kind of– I don't know. Like, how did Rome fall? There's a theory about, like, how civilizations fall.

Sure. Peter Turchin has this really good theory, which is it's two things. It's– one is inequality, and one is the overproduction of elites. So you have too many people becoming elites, and then they don't get what is promised to the elites because you open up. So too many people go to university. If half of everyone goes to university, then they can't– and they get the degree, and they work hard.

And then they don't get the life that they were promised. Then they become a counter -elite, and they rebel against the elite. And the inequality becomes, you know, too great, and, you know, everything crumbles. That's his kind of theory through history of how, you know, society has kind of come crashing down. Well, that's certainly a factor, and we're experiencing that right now.

I think the factor that they were dealing with was asteroid impacts and documented ones. So this is a part of the Younger Dryas theory that's undeniable is that they've done ice core samples. And in these ice core samples, they find high levels of iridium in a lot of areas. Right. Iridium is very common in space, very rare on Earth. When there's a layer of it, it usually indicates that we were hit.

Right. And this is all around that same time period of 11 ,000 years ago. Well, it's interesting as well, like, what effect that has on the greater– on the globe. Like, there's that famous case of, like– people talk about, you know, the environment, what's going on with our environment. And really, Krakatoa is a great example. Right. So when Krakatoa went off, it was such a big volcanic eruption, there was no summer in Europe the next year because all of the particles went up into the stratosphere, above the stratosphere, and they reflected light.

So the Earth cooled by, like, two degrees. What year was this? This is 18, he'll know. 1883? Wow. Like, no summer in Europe. And Europe was, I guess, probably no summer in the world, but they didn't measure it anywhere else. So there's kind of mass starvation off the back of that. Right, of course. And, you know, and again, you know, like civil unrest and people kind of falling to pieces because– Do you know about the Toba one? The Toba volcano? There was one that's– what was it? Was that 70 ,000 years ago? Think DraftKings isn't available in your state.

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Varies by state. It knocked humanity down to a few thousand people. I think 60 ,000 is like the lowest we got to, I think. Yeah. Which is extraordinary when you think about it. From a super volcano. And so a super volcano is, you know, it's not extraterrestrial. It's a thing that's actually here. It's a natural disaster that occurs periodically on Earth.

Whereas the sky is a shooting gallery. And we are in the middle of a crazy pathway where we run into 900 plus thousand near -Earth objects. And we're spiraling through the galaxy, hurling into space at an insane rate of speed. I mean, it kind of makes me feel dizzy. City -sized objects that are just floating around and occasionally they come rocking at five times the speed of sound and slam into the Earth and it rings like a bell for a million years.

And that's what killed the dinosaurs. Yeah. Yeah. Within seconds, it was miles into the Earth. The dinosaurs were, I forget what the name is. There's a biological term for it. But the eggs below a certain temperature were male and above a certain temperature were female. Dinosaur eggs. Dinosaur eggs. So, and that worked pretty well for the distribution of gender.

Yeah. And so when the asteroid hit, obviously it kills a couple of dinosaurs that it hits, but what really happens is the Earth cools by two degrees and their system just goes. So they're all born female. That makes sense. And then they all die out. So any animal with that system. So then there's ones that didn't die out that didn't have that system.

So the reason, you know, crocodiles or sharks, you know, things from that era that just didn't depend on that system for gender distribution. I was just reading about an animal, some sort of a reptile that they've just recently observed getting pregnant without a male involved.

And that this was unsuspected. They didn't think that they could do this. It was... God, I wish I was paying more attention to it. But that happens all the time in the weird lizard world. Like the same kind of creatures that can grow their own legs back when they lose a leg. They also... What's going on there? What the fuck is going on there? And how come we can't do that? They also get heavily affected.

Their sexual organs get affected by things like herbis, like atrazine. You know, that stuff that gets dumped into the water that turns... Alex Jones famously said turns the frogs gay. Oh, right. Okay. Well... Turns out it really does. Turns out it really does. It really changes their gender. It turns a male frog into a female frog. Yeah. I mean, we're messing around with stuff we don't...

Yeah. That can't be good, can it? But no, but it's just weird to me how the lizard world is so odd like that. They're so much different than the rest of us. Like the lizard world, we should be very terrified if we ever get invaded by reptiles. Like if reptilian aliens are a real thing... I'll make a note of that somewhere. Yeah. I mean, that seems like a pretty good idea.

They can grow their limbs back. Also, some of them don't need to eat for a year. Like crocodiles, they can not eat for a whole year. They can hold their breath underwater for hours at a time, slow their heart rate down to almost nothing. Yeah. I mean, listen, I'm with you. If we get invaded by crocodiles, I think we need to take it very seriously.

Yeah. It might bring humanity together, which would be the good thing. Something would. Like another 9 -11 or something. We need... Almost we need to be attacked. We're so divided right now. Inequality is the big thing that Peter Turchin talks about, like bringing down civilizations. But some... This other guy did a study on the things that cause equality.

And they're four things, right? So you've got to be careful what you wish for. Because the things that cause equality to happen are it's war, revolution, civilizational collapse, and pandemics. Yeah. Like those are the things that equal out society. It's just like it's terrible. Pandemic did for a little bit, I think. I think in the beginning it kind of brought people together and sort of settled people down to like what was actually important in life.

The very early days when we were really worried that people were going to die from it, there was like... When no one knew what the severity of the infection was and we were just hearing about this disease from China and we're locking down the country, that was genuinely terrifying. Well, the idea that everyone went through the same thing.

Yes. Everyone had the same experience. People reacted very differently to it, but everyone went through the same experience. Like that kind of the global lockdown. Right. But it wasn't uniting though after a while. Because after a while it became very divisive, especially when there was the whole are you with or without the vaccines? Like are you Apple or are you Android? It's like it's one of those tribal things that people do.

Are you Republican? Are you a Democrat? Even whether they're skeptical about pharmaceutical drug companies, normally they'll abandon all that if there's some sort of an ideological group that you're a part of that thinks one way or another. And that happened during the pandemic. Yeah. Which I never thought we would see. I think it's a little window into...

Fierce fights about pharmaceutical drugs and whether or not you believe in the pharmaceutical drug company. And that the people on the left would be the ones that were telling you these massive multi -billion dollar corporations that have the highest criminal fines in all of human history. Those are the ones we should be trusting. But that happened in this country.

And it happened all around the world. It happened all over the world. I mean, it was a shit show. I mean, it shut down everything. But that was the divide. The divide was the medication and what path we took to get out of it. If that didn't exist, if it was just there is no medication, the only thing you could do is be healthy enough to be resilient and get through the cold, but we're all going to get it.

If that was the narrative... Is this not what's happening right now, though, in terms of going, if you look at what we're doing, right? Gain of function research, which is it almost certainly came from gain of function research, which is like looking for a gas leak with a lit match, right? So it's just inherently dangerous. But this is kind of the...

I don't know if it is even a conspiracy now, but the search for AGI strikes me as a similar kind of thing, right? You're searching for the last invention, the last thing that you'll ever need. You heard the conspiracy about solstice. Well, I think AGI has a legitimate potential to change our lives for the better. It's just will it? Yes. There's no way.

Is it Star Trek or Star Wars? There's no way these engineering viruses to be more virulent, to infect more people more easily, to kill people more. There's no way that's good. There's nothing good out of that. But the AGI potentially could change society, potentially for the better. It's like, what's the number? How does it go? Yeah, and it's a knife edge of life.

But gain of function is not doing anything good for us. There was no cure. They had all these diseases that they engineered, and they had no idea how to treat them. No, I remember. They wiped out polio in the 50s. And then they kept some. I remember that story, too. But they kept some. That story is kind of fucking crazy, too. You know what? I heard the lady on here talking about it.

But I mean, it's like you go, they definitely polio was something. Well, polio still is a problem. But the real problem back then was there was polio, and then there was DDT spraying. And that's a big part of the story. A gigantic part of the story is that the polio epidemic in America aligns with DDT use, ubiquitous DDT use all over the country.

And DDT poisoning has the exact same symptoms of paralytic polio. It's the same symptoms. And, in fact, a lot of animals during that same time period, cows, horses, farm animals in rural areas, were getting polio. Same symptoms. Why? Because it's fucking DDT poisoning. Right. I remember John Stewart telling me he used to follow this. Like, that was just spraying the neighborhood.

You wanted to. Yes. And that's what happened. That happened all across America. What percentage of polio do you think is asymptomatic? I have no idea. Take a guess.

Asymptomatic? Yeah. No symptoms at all. You get polio. 10%. 95 to 99.

Wow. Yeah. Well, look that up just so you know it's accurate. Wow. That's the real number. Yeah. That's the real number. And so we don't know how much of what happened during the polio crisis was polio, which can certainly hurt people. Certainly not good to get polio. Certainly not good to get paralytic polio. Certainly. No one's saying that.

However, the DDT use was happening at the same time. This is 70%, but I've seen it listed as 95% recently. So I don't know why this. But hey. I don't know. Even it's not like 70% isn't interesting. No, it's certainly. So this is like no symptoms at all. 70% of the people get no symptoms. Now, I had read that it was 95 to 99%. I'm interested.

I'm interested. Put it into a different search engine and see if there's other. Is this maybe the worst thing that. So when you talk about the. Hold on. This is why it is. This is why why it's... I'm sorry, put it back up, I explained it. So, 70%, no symptoms whatsoever, approximately 25% mild symptoms, such as fever, headache, or sore throat.

All right, I've got a sore throat, it's not polio. It's not developing paralysis, it's not the same as being asymptomatic. So you have mild symptoms for 25% of the people and zero symptoms for 70% of the people. Yeah, I mean, it's still a terrible disease, but even if you look at that and go... Terrible disease. However, so is spraying DDT ubiquitously in neighborhoods.

That's fucking terrible too. And this is the dirty secret about the whole polio crisis. It's not that polio is good to get, no big deal, go get polio. Fuck that, don't get polio. Polio's bad. However, they were spraying DDT everywhere and it gives you the same fucking symptoms. And the two things stopped when they stopped spraying DDT everywhere.

Dr. Suzanne Humphries, she's a guest on the show. Yeah, I just want to tell people that are listening. There's a great book called Dissolving Illusions. And if you just counter -check all the things that she put in that book, you can read it all online, you'll find out she's telling the truth. And it's indicative of the same shit that we just went through with the COVID epidemic.

It's indicative of... There's a ton of different stories of what we think are good pharmaceutical drug solutions for a problem that's happening that turn out to be horrendous for people and give them terrible There are terrible side effects and you see all these people that are suing and you find that pharmaceutical drug companies can make money off of it even though it was killing people.

Like there's a Vioxx example in America. It was an anti -inflammatory medication and they were giving it to people– 50 ,000 plus people died. They got strokes. They knew that people were going to get strokes before they released it but they did it because they knew they could make money off of it. And this is just this continual pattern that we can see throughout history.

We want to believe in these institutions but oftentimes these institutions are corrupted by money. And when we find out that they're corrupted by money, it's too late. They've already poisoned you or they've already given you some drugs that cause strokes. Here's a strange thing. I've been traveling around Canada, America on tour. I'm kind of always on the road.

You notice things, right? So you notice like the fentanyl thing happens in North America. Yes. But it does not happen in Europe. Right. What's going on? The Sackler family. Do you know the whole story? Well, I remember the kind of controversy about people giving out the idea that you should never be in pain. Right. Was kind of promoted. The idea that any kind of pain or discomfort is unacceptable so you need to be no pain at all.

So pushing the idea of those painkillers which were opiates. Well, yes. Not just that but also saying that they're not addictive and then also promoting this idea that you just kind of on them all the time and everything's fine. Right. And that's what you need. Just be on them all the time and you're going to be fine. And they got doctors to go along with this.

They got doctors to subscribe to these ideas and promote them. But why is the fentanyl? Because it's an opiate. Yeah. But the idea, how is that happening only in North America? Well, because we're next to Mexico. Right. We're connected to Mexico and that's where it's coming in and China is bringing in the precursors. So China ships the precursors to Mexico.

The cartel makes the fentanyl. They sneak it across the border. And that has been going on because there's an opioid crisis in America. Mariana Van Zeller, do you know who she is? No. Brilliant reporter. I mean like a real courageous woman. Boots on the ground journalism. Went to Columbia and was with people while they were making cocaine and walked with them through the jungle as they packed it out.

She goes to crazy places where she can get killed all the time. And she started out while I became introduced to her from a piece she did called the Oxycontin Express. And the Oxycontin Express, it was all about Florida. And Florida had these pain management centers. And say if you hurt your back, you go to a pain man. Oh, I'm in pain. Well, you should go to the pain center.

If you don't know anything about how corrupt the medical system is, you would go, oh, that's the thing you go to for pain. They're pain experts. Fine. They probably tell me what to do. You go there. They only prescribe Oxycontin. So there's a pharmacy connected to the pain management center. You go to the pain management center. What's wrong, Jimmy? Your back hurts? I gotcha.

Right. You go right next door. Right next door. And all they sell is Oxycontin and no database. So you leave that pain management center and you go to another pain management center a mile away. And then you go to another pain center and they're all over Florida. And so people would go and fill their trunks up with Oxycontin and then drive up through Kentucky and Ohio.

And that's the Oxycontin Express. And that made addicts like traceable destruction of communities all throughout the land. And this was all because of corrupt politics. It was all because of corrupt pharmaceutical representatives. It was because of corrupt doctors that everybody turned a blind eye to make a ton of money. And most importantly, the Sackler family.

This one family made billions and billions of dollars promoting this idea that you should be on pills all the time. Yeah, it's a horror show. They're not in jail. They're not in jail. Like it's a horror show out there. Yeah. Like there's certain cities that just seem to be so hard hit by this. Like the middle of the town is like an interactive Walking Dead experience.

It's like just people bent double on this drug. And you go, well, no one seems to be helping. There doesn't seem to be any help for these people. It is really good at getting you. It's really good. It gets disciplined people. It gets people that have a like a work ethic and a good family. I mean, remember when crystal meth kind of first happened because that again only happened in America didn't happen in Europe.

Yeah, like I'm not saying we don't have problem with drugs in Europe, but it's not to the same extent. And the idea and that remember that poster. There used to be a poster of a language. She was a good looking girl. And then and over the course of like six years or 10 years, she became kind of, you know, attainable like ashen faced and sunken or whatever.

Yeah, you got a lower standards. If you wanted to go on a date with you, they're on meth. But that was like the ten years. It seems to take people out in just a matter of weeks now. Just like fentanyl and meth are very different things. So meth is an amphetamine, obviously. And amphetamines, there are a ton of people in this country right now who are addicted to amphetamines legally.

It's called Adderall. OK, and you can make up all your reasons why people need it. I don't have any energy. I have ADHD. I can't concentrate. They will fucking give it to you. They will give it to you pretty easy. You just complain a bunch of times, come in with a lot of brain fog. It'd be so easy to dupe your doctor into giving you Adderall.

One hundred percent would be easy to do. And then this is legal for them to do. And what is it basically? It's fucking speed. Oh, yeah. I remember that. Yeah. Well, you know, she was a rough 28. Right. 28. She looks like a 28 bare knuckle boxer. Like one of them bare knuckle boxer chicks with scars all over their face. What's that? She looks like she had a hard life.

Yeah. 33. She's pretty attainable. I think I could. Yeah. You could have got. That's the 10. Yeah.

There's always going to be addictions that you can avoid. Right. Like a great one is gambling. It's very controversial in America. Like should gambling be legal? Right. I am a guy who has been to Vegas a million times. I'm a guy who is a work for the UFC. I do comedy shows in Vegas. I'm always I like the idea of going there. Don't blow all your money stupid.

It's like at what point in time do we take responsibility for if you don't have any money? Don't gamble it. Well, I think it's that thing with I think young men. I mean, I've got a bit on this like a joke, but like an idea on this. I'm like, you know, young men in crisis. I'm like I'm pro gang pro pro gang pro gambling and pro drinking. Like I think, you know, that thing of like gambling is not sports gambling, not gambling or something to give you a cheap little dopamine hit whenever you need it.

Like that thing of like the internal system. So you keep gambling? No, no. The idea of gambling on yourself. The idea of like the big gamble in life. If you take a big gamble, then you don't need those little gambles. Right. We got very lucky. We got into comedy. So it's like it's a gamble. I'm going to try this line. It's like we get the dopamine.

There's good ways to get it and bad. Yes, to get it. So encouraging the good ways. It's human nature is fixed and flawed. Right. Young men are going to want dopamine and risk. Yes. How do we how do we sort of point them towards something that's useful? So my thing was like gangs, terrible gangs, you know, shoot each other and deal drugs, but not all of them.

A lot of gangs are just young men together. And the idea of like drinking as like I've set up youth clubs all around Great Britain. Right. And there's pool tables and there's jukeboxes and music and there's there's booze. Social places. No, they're cool pubs. Yes. And that's where I think young men. Where should they be together? Yes, they they check each other very well.

But the idea that they should be together, the drinking age should reflect reality rather than a wish like 21 in America. That's insane. 16 year olds drink. I don't think they should be allowed to drink alone. It should be a social thing. As humans, we go, okay, where do you learn to get on socially with other people? It's not the school.

It can be a bar, but the bar can have a football team and a baseball team, and it can be a place where you learn how to interact with other people. We should also explain to them that it does affect your brain development, and you should be very careful about getting drunk or high when you're young. Don't do it a lot. It's bad for you. I was going to flesh out my point about gambling.

I have this opinion about gambling. Like, don't gamble if you can't afford to lose, and if you've got a problem, stop gambling. But I have seen it. The problem is I've seen the grip of it. I've seen it grab people. I've seen people. Did you ever see Uncut Gems, that Adam Sandler movie? Oh, that was like anxiety in celluloid form. Genius film.

It's so good. He's such a great actor. He's amazing, and he plays that gambling addict so well. When I was between the ages of 23 to 27, I spent all my time at pool halls. I was addicted to playing pool. I played in tournaments. I played constantly. I was around gambling addicts 24 hours a day. So this is the hustler. This is color of money.

Oh, yeah, yeah, yeah. But the real thing. Was it all money? Was it everything for money? Everything was for money. So you're playing for money all the time. It's not fun. Well, no. People played for fun, like people like me who suck. But the really, really good players, they always played for money. They only played for money. They practiced, and then they played for money.

And it was all about gambling. It was all about action. Everybody was in action. You would go to the pool hall. It was gambling all the time. It was gambling on sports. It was off -track betting before they got there. They would go to off -track betting and bet on the races. And then they would come and complain about the races that they lost.

And then they would get into card games until someone showed up that wanted action. And someone would show up and they wanted to bet, and then people would be betting on the sidelines. If you and Jamie were playing, I'd put my money on you. Let's go. Come on. And now you're sweating it. You've got a sweat bet going on. And somebody wants to get in on it.

You know, I want two games on the wire. Okay, you got two. So he might lose, but I might still win because he's got two games on the wire. So there's all these like crazy gambles that are going on all the time, 24 hours a day. So how did you not get sucked into that? Because you were very into it. I mean, you're like quite an obsessive guy.

But like when you did mixed martial arts, you're all in. When you do comedy, you're all in. Like you're all into things. And yet somehow gambling didn't capture you. Because I saw what it was. I saw this is a dopamine roller coaster. And you're going to be here if I come back 30 years from now. And you won't have moved. You're going to be doing the same goddamn thing.

And there was this guy, my friend Tommy. I have a really good friend who has been my friend for 34 years. And I met Tommy when he was like 19 years old. I was in my 20s. And when I met Tommy, he was the best pool player in Connecticut. It's like legitimate world class potential pool player. Like big time gambler. He'd gamble for thousands and thousands of dollars.

I'd see him all the time. And he was one of the best players like in the Northeast, which is one of the strongest pool areas in the country at a young age. He was playing this guy named Neptune Joe Frady. Neptune Joe Frady was a great name, isn't it? Bro. Neptune Joe Frady never stopped smoking cigarettes. And he would when he was holding his cue, he put the cigarette in between the fingers of his cue like this.

So while he's playing. That was the thing with Minnesota Fats in The Hustler. Did he do that? He smoked the cigarette in that, weirdly in that. Yeah. And that's the comic, wasn't it? In his hand while he was shooting? I think he laid it on the table. Oh, no. He maybe laid it on the table. But I remember he smoked the cigarette through that.

I always remember kind of Minnesota Fats because he was a comic. I only ever knew him from that movie. Jackie Leason, you mean? Yes. Yes. Jackie Leason. But I never knew his comedy. I'd never seen him in anything else. I'd just seen him in that. Oh, that's crazy. And they went, oh, that guy was a– because I didn't have any of the reference to the thing, but just like that movie.

So this guy, Neptune Joe Frady, was one of the best players in the world and one of the best players in the East Coast for sure. And Tommy was playing this guy and they were grinding it out. And he couldn't– and this guy didn't have $10 through his name. He's like, I can barely beat this guy. And this guy is completely broke. And he's one of the best pool players in the world.

And like this is where it leads you. It leads you to this where it just– you're not going anywhere. You're stuck. Right. You're stuck doing this thing that doesn't pay any money. How lucky did we get, right? My whole thing is like gratitude, right? So when I got into comedy in the UK around 2000, right, it was field hockey. It was darts.

It was lacrosse. It was a minority sport. And now it's premiership football, right? And how lucky did I get to ride that wave in that time? I was just interested in this thing that wasn't particularly popular at the time. And it just became something huge. But like people– you play arenas now. It's crazy. And with pool, pool could have become the thing.

But it didn't. You backed the right horse. You got so lucky. Like MMA didn't even exist when you were into it. It didn't exist. Like martial arts was a thing. But MMA hadn't even really been formed. It's the luck of being there. I'm super lucky. Well, then podcasting. Well, podcasting. Like the idea of just going, I'm just going to do my own thing.

And the thing that we were doing it when no one was watching. So we were doing it. It would get like 1 ,000 viewers or 2 ,000 viewers. And now you're getting 4 ,000. Crazy. Things move up. But the idea of like that– Being fortunate. Oh, I think about it all the time. I do a practice. I just– I'm constantly like I think that thing– Gratitude is the mother of all virtues.

Like you're constantly reminding yourself like of like we live now. We do this. We get to do this. Like finding the thing that you could be excited about. You spoke to Chris Williamson about this recently. He's got this really lovely take on discipline, motivation, and obsession. Like the idea– like discipline is you force yourself to do the thing.

And that will get you two weeks into January doing sit -ups and no further. And then there's motivation. I want to do this thing. I want to do it. And then there's obsession. I can't not do this thing. And we're very lucky in life that we found obsessions. Things that it doesn't– you know, we're just like I would do it if there's no money and it doesn't matter.

I'm just– I'm into it. Yes. The issue with pool, your story about pool there, is that it was all about money. It wasn't about the joy of the game, the beauty of that game. Like playing that one is– There's money in tournaments now, a lot more money than there was back when I was playing eight hours a day. So there's guys at the top of the heap that can make a very good living playing pool but only a few, only a handful, maybe ten.

Ten guys, maybe 20 worldwide that are making– well, not worldwide because China is doing some crazy things. China is paying like half a million dollars for the winners of tournaments now. They're putting on these different pool tournaments in China. They actually have a different table though and it's kind of– it's really complicated.

And when players try to switch over, it's a real problem. It's called– What's the difference in the table? Just the different– Their corner pockets and their side pockets are curved like a snooker tables. Right. So the thing about pool is it's all about– it looks like a ball goes into the hole. You're hitting the ball with a stick. But what it really is is geometry and you are breaking the table down into sections where you want a ball to be and how you're going to move and what angle you have to approach this ball on so that as you knock it in, you're going this way to get to the other.

Sure. As soon as you change any of the dimensions of the table, all the geometry changes. And one of the things that changes is the shape of the pockets. So the shape of the pockets don't accept a ball down the rail. So if there's a hole right here and there's a ball right here, I have to really gently roll that ball in. I can't fire it in.

But in a pool table, I can fire it in with follow and move that ball around the table and get to my next shot. With a Chinese table, I can't do that. It requires the most insane pinpoint accuracy. It's a tiny little pocket with a curved edge on each side. But those guys are paying a half a million dollars for a more boring game, unfortunately.

Because it's just like everybody misses all the time. People miss ball in hand. It's like it's a really brutal game. Right. Okay. Yeah, weird. It's weird because they don't run out as much. So like what's exciting about pool is someone breaks. They have a shot on the one ball and they run the rack. And then it was like, ah, or there's a battle back and forth between two guys.

They're playing safeties. But when you have a pocket where a table where it's like 30 percent harder to make a ball, it gets like that's what it looks like. See how it's curved like that? Oh, yeah. Okay. So it looks like a larger image of the table. I was looking around for pictures. The problem is just you could see it from. Yeah, that second picture that you just had.

That's it. Okay, so that's what they look like. They look like roll in there. It looks like a snooker table in terms of the way it's curved on the corners. Now get make that a little larger, please. So if I'm shooting a ball like say not upper left hand corner, dude, my margin of error is like this on each side, like like millimeters on each side.

So it just makes for a brutal pokey fucking scared ass game. Nobody's going to break it around. No one's going to nice. No one's going to smooth stroke any balls and get out. It's just too hard. That's a regular pool table. See in a regular pool table. You see everything has these these angles where as you're going like I'm trying to find just show me a regular pool table.

I don't know what I don't I have regular pool table right there. The reason why you can tell us if you see the corner pockets. This is a diamond. They're the best tables. If you see the corner pocket see how there's this black piece of leather and that angle. Yeah, we're right. We're to the left of Jamie's cursor that angle straight on a Chinese table That's rounded and so you can't fire a ball in there.

It's not going to go in and I might even by fireball in yeah I mean hit it with a firm stroke, right? It changes the game, but they're paying half a million dollars So people are going to China to play in these tournaments now because they're gigantic because China's really into billiards like really really into billiards And some of the best players in the world are coming out of theirs particularly out of Taiwan out of Chinese Taipei So the best players on earth come from there.

They're insanely good. They have these schools. They practice eight hours a day And they have like regiments. Oh, yeah, yeah Yeah, yeah I'm an addict so but all of those things right like so Martial arts martial arts comedy martial arts you still I mean you train, but yeah, but I can't obviously I'm too old to compete I should have a seniors that come on That's a good way to get hurt forever.

Yeah, I think the seniors one has to be like the it has to be to the death I think but I stopped competing for the same reason why I never really got into gambling a pool because I realized where it's going There was no money in fighting when I was a kid I got offered five hundred dollars to go professional when I was an amateur kickboxer I got over offered five hundred dollars and I thought about that for five hundred bucks I'm going to train for two months and maybe go out there and get my brains punched in And then for sure get brain damage because I was already suspecting that I was getting it For sure you got exactly the right amount.

That's what I say the sweet spot the sweet spot Yeah, we have enough don't don't give a fuck just a little chaos going on there But not to the point where I can't articulate my it's interesting because you had that thing of like the next thing that you could Do the jumping off point so the discipline of martial arts the pool You could kind of see where that's going and then comedy came along kind of at the right time to kind of because comedy feels like it's It it's it's such an interesting thing to get in.

I want more people to kind of get into comedy. I think that's the Like the idea of like the opposite of being a spectator is not being a professional the opposite of being a spectator is being a participant And I think that comedy is such a wonderful thing to kind of because you you're you're Writing down and ordering your thoughts, right? And you sort of think about what you what you really think about something like what could you say that no one else could say? And then you're learning how to communicate that with other people.

It's such a transferable skill Like we should be teaching it in schools. There should be like the drama class should have a comedy element Because it's it's such a useful skill in life to be able to Just giving something your attention. I'm going to think about this thing I'm going to think of a funny angle well, that gives you a bit of perspective on life You're kind of stepping back and seeing it for what it is And kind of looking at it from different angles trying to find something funny in this It's like a great sort of way to improve your disposition Yeah, I see something funny even in the terrible this episode is brought to you by call of duty Modern warfare 4 is

coming and they're going all in on this one the kind of missions that make you go dude Did they really just do that set during a full -scale North Korean invasion of South Korea? Expect a real boots on the ground experience as young South Korean recruits fighting to protect their homeland and North Korean forces Hunting traitors interrogating civilians and more modern warfare 4 is available now Order digitally or pick up your physical disc at your local store visit call of duty .com for more rated m for mature Probably the most popular art form that's not documented and studied in in terms of like having a structure to having to learn how to use it Well, that's why I

wrote the I wrote this book about I wrote this book on jokes

With two friends, you know, this is like I wrote this thing with Amanda Baker and Abby Grant this book on jokes, which is like So it's in third so that's like the taxonomy of jokes like the descriptors of all the different joke types Not the function of the joke, but the type of the joke, right? Because people talk about observational comedy.

That's like saying Songs about girls is a genre No, it's like what how how does this work? Is this pullback reveal? Is it a pun? Yeah, what kind of wordplay is this? How does it work? And then how to put together routines and then how to perform because I think comedy can be taught I don't think it's an immutable characteristic. I don't think it's something that that you're born with I think you could have like a you could be drawn to it and then the idea of having some kind of structure because when you think about But people often say comedy can't be taught.

Jerry Seinfeld said you can't teach comedy I think he's one of the greats and I think Doug Stanhope said comedy courses are raging scams. They're two of my favorites, right? But they both had teachers. They were both taught comedy But they had a home club and they had a mentor and you know guys that we know started on the door And they ended up the headliner, right? Right.

So you go yes, Tony Hitchliff used to park example used to park cars And and now sells out madison square garden and you go and that that's a dojo Yeah, but not everyone has access to that dojo, you know, you it's the comedy seller It's the comedy store. It's the mothership. It's like these clubs, but there aren't enough of those clubs So you want to have a book that writes it down and kind of makes it a bit of book learning as well Yes, because you go Well music isn't made any less wonderful by having a formal structure So they like part of the inspiration to write the book So it's abby grant and amanda baker and my and they're really good friends of mine And these are

the same people that you had work with people here That was the test for they came to the mothership and taught the course for six weeks amazing to young comics And thank you that by the way, I think it's grown corn. I think those guys have are all doing Yes, fantastic. But the idea of kind of going, okay, we need to test this because I don't want to be a grifter.

I never want to sell something. I don't want to sell a book that doesn't work. So the idea of going, well, you've got this structure that people can kind of get into and go, okay, well, I know what the work is now. I know what it is without... Like we had to have immersive learning. We just had to be surrounded by other funny people that were trying to do this crazy thing.

But if you can formalize it, you know the story of... Amanda told me this story, right? And it blew my head off, right? So about Gregorian chants. You heard of Gregorian chants? Yes. Okay. I'll tell you why you've heard of Gregorian chants. Because Pope Gregory was the Pope and he's traveling around and he says, everyone's singing the songs differently around outside of the Vatican.

They're all singing them differently in the other churches. I don't like it. I want them to be the same. Write it down. And this guy went, no, no, you can't. You can't write down music. If music doesn't live within a human soul, then it's ethereal. You can't write down music. It can't be done. And Pope Gregory basically goes, look, I'm the fucking Pope.

Write it down. And so it takes him a couple of hundred years. But musical notation comes from that. That's where musical notation comes from. Then, 300 years later, you have Bach. But you couldn't have had Bach without the musical notation. You needed it to be a little bit formalized so that people could express themselves through it. They had the system then.

And it doesn't make people the same. It doesn't make for more rigid music. It means that you can do more with it. Where you understand what you're working with. Yeah. You have an idea of kind of what you're doing. Yeah. They're like, it's not formulaic. You've got to know the rules before you can break the rules. I think what Doug's getting at with comedy courses, unfortunately, is true.

A lot of them are taught by people that are failed stand -ups and never really made a career. And now that's a way to make money. Versus like Ari Shaffir was doing a thing for a while where whenever we would go into a town, like say if we would be in Phoenix, he would hold a free seminar for the local comedians on Sunday. So on Sunday, he would sit with them and he would break down how to get a manager, how to get an agent, how to get into clubs, and how to work on your act, and how to go over your act.

What a great thing to do. I mean he's in London now. I know he is. He's a great guy. I discourage that activity. I told them stay in America. So I don't believe it. But he has to be a wanderer. He's a weirdo. But point is, he had this great service that he was giving to comics when he'd go to these towns. And they would ask him about material, how do you write, how do you do this, how do you do that.

And he would sit with them for like three hours for free. Well, I think, I mean for me it's the writing thing is the reason to write the book. They're trying to throw the drawbridge down, trying to help people up and go, well, how do you actually do this? Because there's a bit too much magical thinking in our business of like, oh, that guy's a genius.

Because you don't get to see the working. Right. You don't get to see the guys in the gym testing out stuff. You know, if you do, if I write a hundred jokes and five of them work, no one ever says at the end of my show, well, what about the other 95 jokes? What about the other ones? They go, no, it's just, obviously the, it's like that thing of I don't write the show.

The audience decide that one works, that one doesn't, that one works, that one doesn't. Right. And then you're generating this thing. You're kind of building up. Yeah. Slowly. But what I was going to get at is I think what Stan Hope is not correct about is that even if you're doing a comedy course for someone who sucks at comedy, they've at least done comedy to the point where they understand what it's like to get on stage and tell jokes and maybe some of them did fairly well.

But at least you start doing it. Okay. So one of the things about these comedy classes is they all have like a graduation day where they do their act. Right. That alone is a step. Well, that's worth something. But also that thing of like, there's a, there's a fancy term for it, I think, capitalist ontology that we do. Everything we look at has to be looked at through money.

Right. Can you make money doing this or not? How do I, like people ask me how to like get asked about being, you know, young people that want to be musicians or want to be comedians. So how do I do this? How do I make money doing this? You go, no, no, just do it. Just don't worry about making money. If you get good, then there may be. But the 10 ,000 hours will apply.

You will have to work so hard at this to get good. But even if you just do it as a hobby, it's going to increase your enjoyment of this thing for the rest of your life. Yeah. Even if I meet people that have done, I did a little bit of comedy. I did like, you know, 10 gigs back in the nineties. Yeah. And there was a show and they're so into comedy because they have an idea of what it is.

The funniest thing you've seen the last 10 years, I guarantee you, is something you saw on your phone like a meme that someone made and you don't know who made it. And I do. It's a guy in Minnesota working in a call center and he just thought of a funny thing and he made it and he put it out there. And I want that guy in our industry. I want him to at least have a gut, have a shot.

Yes. Have a way of doing. Like the thing I love about Kill Tony. I mean, Tony has inadvertently helped more people, made more careers. Right. Than anyone. Since Johnny Carson. It's phenomenal. Yeah. And he's bringing up these guys. And like Ari Matty is a legit. I was in Helsinki two weeks ago doing shows. I'm happy to mention on stage. Someone asked me about Ari Matty.

Oh, yeah. I saw Ari last week. Like, like, it was like, oh, who cares about you? You know, Ari Matty. It's such a big deal. Because obviously Talon is across the water. He's like, he's a force of nature, but he's wonderful. Right. Yeah. You go, uh, it like the idea of going more people should be in this. The thing about Kill Tony as well.

It's a minute. I mean, it's not that long. I know a lot of people that got, and there's no, that could put together a minute, but there's no greatest in comedy. There's no such thing as the greatest of all time in comedy, because it's about being yourself, being authentic. It's the opposite of what artificial intelligence is. Right. It's, it's, it's a right brain thing.

It's like people are very impressed by AI. Yeah. Because we've got so used to other people. If AI was all there was, and you were the only person and other people came along, you'd be so blown away by other people. Like what could people say that's like that? It's their, their unique viewpoint on something. You know, the, the, the, you know, the comics kind of, they kind of, even if you're a one liner guy like me, comics kind of, um, leak, you can kind of tell who someone is on stage.

Right. It's, it's beautiful. It's like, yeah, it's friendship at scale. Yes. Podcasts are similar to that too. Maybe even more so because you're having these long, long conversations about a variety of different things. But I think there's a lot of untapped talent out there that could be. The comics and instead will live these boring lives.

Um, when they're, they've got this wasted mind. Well, that's the funniest people I ever met. It was a guy I worked for. I worked for a private investigator for a while. You talked about this. Yeah. One of the funniest people I've ever met in my life. Far funnier than me, especially at the time. I was only 21 and he was a former alcoholic who needed someone to drive his car.

So he put an ad for a private investigator's assistant. Really what it was, someone with a valid driver's license. Do you know what this sounds like? This sounds like the start of a great kind of Rockford files type show. Oh, it was, it really was. I mean, it was really fun. I would, I was dating this girl at the time and I'd come over to her place after I was done working, just crying, laughing.

And I was saying, I I'll never be as funny as this guy. This guy's so funny. And I would tell her the crazy shit we had to do. Cause we were catching people with like insurance fraud. And one guy, one guy, he there's, he had this beautiful girlfriend and he was this meat, like measly little guy. And, uh, he had this beautiful girlfriend and she was getting gorilla fucked by this bodybuilder guy.

And this dude knew about it. So he wanted him to take pictures and catch him in the act. And, uh, after he got the photos, he did all everything he asked him to do. Uh, the guy wanted him to still take more pictures. They're like, Hey, the fuck is, what are you doing? What are we doing? Like, I'm not going to, I'm not gonna be your- You're not gonna be your- You're a cuck porn dealer.

Like, you gotta fucking- You- My job's done. Here's pictures of this giant muscular man fucking your girlfriend. This is episode one. This is a show. It's a great idea for a show. It was so fun. But that idea of like- He was such a fun guy. You meet these guys that are so funny in life and you want them to have an outlet, the outlet that we have.

And you go- And there's kind of- there's more clubs. So it's like Kill Tony's a thing, right? That's a thing people can do. There's your club. There's the seller. There's the store. There's other places that are doing this around America. But you want kind of more of it in the world. You want more people to set this up. Well, the most important thing is community, right? And one of the things we really foster at The Mothership is a community.

Everybody knows that whether you're a door guy or whether you're someone who's like doing opening spots or whether you're someone who's headlining, we're all doing the same thing. We're all the same thing. It's just we're on different stages of this journey. You're in your beginning stage. I'm in my 30 -plus year stage, but I'll help you and you'll help other people too.

We'll help each other. And it's important to know that we do not exist in a vacuum. And comedy is one of the only art forms that you cannot create in a vacuum. You need not just the audience. You need other comics. You're never going to find the best comic in the world in some fucking small town where no one knows about him and some tiny little bar that he does comedy at.

That's never going to happen. It's always you have to be either on the road with great comics that you travel with or you have to be In a club in your local town, we practice with great comics. You see each other, we feed off of each other, we inspire each other, we're always having fun. There's a community. It's very important. And we fostered that at the Comedy Store and now we're fostering it in Austin.

It's a really important part of it. It's the fun. I often think about that thing of like dispersed identity is very... Like people think they're sort of sealed, hermetically sealed, and it's them and they're an individual. And the more time you spend online, the more that illusion becomes real. You're just kind of locked off from the world.

And actually that connection of like who you are with other people. Like why come out, why go out to a comedy show? Why go and see, why go to Mothership? Why come and see one of my shows? Why come and see me on tour? Well, it's like there's an illusion that I'm the only one performing because I'm on stage. But actually being in an audience is performative.

Like there's something about... So it's obvious... You're playing a role. You're sitting. Yeah. So sitting still and you're just quiet and laughing. Well, but that thing about going... In my crowd, I mean, I have a lot of audience interaction. So there's a lot of people like asking weird and wonderful questions and kind of getting involved.

And sometimes it's funny and sometimes it's heartbreaking. And it's like all human life is here. It can be anything. And it's really interesting to kind of hold that space for people because you go... People are desperate to feel part of something. Yes. To kind of feel alive and feel... Because you laugh with other people. You don't really laugh on your own.

You don't laugh looking at stuff on your phone. Right. You laugh when it's like... When you're in the room with other people. It's a signal. It's a social thing. Also, all the time that you're looking at a screen is pulling you away from the time you're with people. So if like... If human interaction was a recommended daily allowance of a vitamin, you know, like you have a thousand milligrams of vitamin C every day.

It's really good to stay healthy. If human interaction was like that, you would look at the invention of people working from home, staring at screens all day, being on your phone all the time, being on your phone, even when you're around other people, your actual time interacting with people radically dropped off. And if that's a physical requirement to be a happy, healthy person, which I think it is.

And I think it's built into us. I think one of the reasons why people get so sad when they're alone is because in the olden days, if they kicked you out of the tribe, you're going to die. Yeah. Okay. If you're not around other people all the time, you're not around the gatherers and you didn't succeed hunting or you don't have the right amount of spears to hold off the invaders, you're going to fucking get kicked out and you're going to be on your own and you're going to die.

Well, here's the take, right? So the idea of going the human beings, right? Drop one human in the jungle. You fed the animals. Drop 10 humans in the jungle. You've got the apex predator, right? Our superpower is cooperation. Yes. And what's upstream of communication? Play. We learn to communicate through play. Yes. Anything anyone cares about.

I don't care who you are. Talk to anyone. They care about play. Now, it could be stand -up comedy where we're playing on stage, playing a theater. Yes. Playing a show. Yes. Or it could be sports, right, where you're playing. It could be grappling where you're playing with someone, but you've got very strict rules. Yes. A relationship is play.

Sports, play. Everything people are interested in is play. We don't stop playing because we grow old. We grow old because we stop playing. Right. The great thing about our lives is we play all the time. I think we need more of that in our world. We need more play. More like people get so serious. I 100% agree. You know, one of the great ways to learn martial arts is to be playful while you're learning it.

So it's one of the tenets of Gracie Jiu -Jitsu. Oh, I know the Gracie guys, yeah. They say, keep it playful. Yeah. They emphasize keeping training playful because when it's not playful, when it's life or death, which it kind of is, but when it's life or death and you're grappling with someone, you get tense. And when you get tense, you don't take chances.

And when you don't take chances, you don't open up your game, so you don't learn. So you don't learn new ways to do things. You just have to get comfortable with the idea of potentially losing and knowing that if you lose, you're going to have another chance to go again in just a few seconds. And then you're going to go again with another person in just a few minutes.

So just relax. You're going to lose. It's okay. And you're going to win too. And someone's going to beat you and you're going to beat other people. But the only way to get good at this is to be playful with it and accept the fact that's going to happen and just flow and learn. And you're learning while you're playing because it's fun instead of being this horrific life and death experience that after it's over, you barely remember what happened.

But isn't that the thing with like even stuff like being a dad, right? So the rough and tumble kind of play. Sure. Tickling and wrestling. Dogs do it with each other. They do it. Puppies do it. But that thing like video games are no substitute for that. No. Like it's not– that's not the same kind of play. You need that thing of like learning where you are, learning what boundaries are.

Like when you play a game with someone else as well, like they've got to win some of the time. Like it's that thing. If I get heckled, like, yeah, you can put the heckler down or join in and play. And sometimes they win. It's fine. Who cares? Well, sometimes hecklers have banger lines. Every now and then they've got a banger that I've got to go, ah! Well, isn't that the thing though where sometimes someone heckles and it's like– it could be a drunk guy trying to interrupt the show.

That's a separate thing. My crowd, like they join in. They add value every single night. Well, you do that fun thing where you allow them to ask questions and you talk to them. But that's very– I mean it's like they're so well behaved because you kind of go, all right, get out there. I'll do 20 minutes of just like bang, bang, bang, like three, four big laughs a minute and try and get them into– I suppose the thing about the last bit of the book, that On Joke's book, is about rhythm and about how comedy has a natural rhythm.

It's about 92 beats a minute. It's like a comfortable walking pace. Like when you walk with someone, you fall into rhythm with them, right? And so there's a key word every two and a half seconds. There's like a– and you want them to fall into rhythm. And then you want– give them 20 minutes so that they just feel totally calm. Like, ah, we know exactly why we've come out to the show, having a great time.

Oh, now it's Argo. We get to join in. We get to play in. And then you get back into it kind of seamlessly and like you ebb and flow between those two. So you're putting together this thing where it feels like we all did this. We all had this experience. We're all having fun together. Yeah. No, that's one of the more fun things about the bottom of the barrel show, the mother show.

Oh, yeah. That's fun. That's the best show. It's so silly. Sometimes it's terrible. Like sometimes you got nothing. There's nothing in there. And sometimes you get gems. Like I have three or four bits of my act right now that came out of premises that I pulled out of the barrel and had an idea just popped into my mind. When you find that weird thing of like going that state that you're in on stage, you would never have thought of that sitting at your desk.

Right. There's something about actually being up there on the stage in front of other people. And there's something amazing about– I don't know what the number is. Maybe it's 50. Maybe it's 30 people in front of you listening to you. Yes. That feels so natural. Like that's a crowd. I'm speaking to a crowd. And there's– I could try a joke in front of 50 people at the club and it will work in front of 15 ,000 people in an arena.

It's like, OK, that's going to work. An audience like that. There's also a thing about those little crowds like the little boy room in the mothership that only seats 110 people. When you're in a little crowd like that, there's no room for shenanigans or what Tom Segura likes to call dance moves. Right. Like there's bits where it's like, is it really funny? Or is there a bunch of dance moves in the bit that makes people laugh on cue? Here's my thing about rhythm, OK, which I think is kind of interesting and slightly heartbreaking for us.

OK. So I would say pound for pound, best joke writer of the last 30 years was Mitch Hedberg, right? Pretty– like pretty great fucking jokes. Pretty great jokes, right? You see them written down. You go, this guy's– he's got to be– but his rhythm, his pacing was inconsistent, which is worse than being fast or slow. So half the time he would kill and half the time he would die.

And why? And a hack, a hack comic doing hacky shit with great fucking rhythm would beat him 99% of the time. That's that's crazy. It's heartbreaking to me that no one took him to the side and went, no, no, you just got to let you've got this lovely cadence to your speech, but it's you got to keep the same rhythm for it to work every time.

I mean, he was a fabulous. It was fabulous comic, but he was also a real heroin addict, a real bad one to the point where he got gangrene and one of the shots lost a leg. I think, yeah. No, he didn't lose a leg, but he almost died. It was as well. I mean, he died. I mean, at the time he almost died before that. He almost died when Stan Hope and I were doing the man show in like 2003.

And then he wound up dying after that. But that was part of the issue. You know, JFL flew his folks up? Oh, did they? It was such a sweet thing. It's like one of the nicest things I've ever seen at a festival. He he had amazing joke writing and it was very prolific, but it was also doing heroin all the time. And it was part of the vibe on stage and it was part of the thing where it could go south.

It could really get away from you. You know, like if you've got a guy who's relying on substance, especially heavy stuff, you know, like I've seen Greg Giraldo had, you know, the those kind of demons. He did. He cleaned up for a long time and then fell off. And that's when someone gave him a pill and he died.

But that that was part of the problem with Mitch, I think, was just that he, you know, they know what you get him to quit, too. He was like, I'm never going to quit. He was not interested in quitting. It was like it's like, oh, like, no, I'm doing heroin. It really is a heartbreaker, isn't it? When you it's a heartbreaker. But that was like real heroin, like old school injectable Stevie Ray Vaughan style.

This is not like the pussy stuff these kids are doing today where they're snorting. Sure, sure. Fuck off. Yeah. Learn how to tie off a vein, pussy. You know,

take that fucking needle and shoot that and cook it on a spoon like a real man and then shoot it right into your veins, pussy. It's it's it's very sad when you lose someone like that, because you kind of go, I wonder what the next special would have been. I wonder what the next thing, the next thing, like what he would have made of this. But it's like we were talking about earlier with Janis Joplin and Hendrix and people in the 27 year old club.

They were all doing drugs like heavy duty drugs. And they had all reached this state of excellence in this very bizarre thing that they do. So I think that level of sensitivity that they had, you know, being a performer, being drawn to that and then having to it's like a what's the analogy? A lobster without its shell. It's the it's they just were so exposed to the world and they were to medicate against that.

But the idea of going it's and for me, it's like the idea of going doing any of that gets in the way. I remember like going I didn't drink for the first, I think, 12 years of doing comedy just because I was, you know, drank at college and, you know, didn't have kind of a problem or certainly didn't think I have a problem. But when I when I found comedy in my mid 20s, I'm all in.

I don't want this. I don't want to have something that derails. You know, that thing of like alcohol is borrowing happiness from tomorrow. Yeah. So you can have a you can have a drink. But if you have like five drinks, tomorrow is going to be slightly fucked up. So that thing of like, what could I do today that I would be super happy I did tomorrow? Like giving a gift to your future self, like that thing of you'll look back on your life and whether it's with regret or nostalgia depends what you do today.

Like that's too big to think about on your deathbed. But I could think about tomorrow like that chunking it down and going, right. Well, if I write some jokes today and I test them tonight, I'll be so pleased I did that tomorrow. And if I eat right, I'll be I'll feel better tomorrow. So just that that like daily thing of like getting it down to a small kind of a unit of time I can think about I can control.

Yeah. Well, delaying gratification is very important if you want to get anything done. Yeah. I mean, it's it seems to be it's also like. Well, like in a metaphysical way, God is the future, right? God is an analogy for work. God is do do something good now for a better life in the future. So in a sense, work is the same thing. You work now for a better future.

What everyone wants, what you got. No one is jealous of what you had to do to get it. The work that you had to do. And it's often that thing of like the reason people get sort of imposter syndrome is because they think, oh, no, I didn't do the work. Yeah, you did the work, but you did it six months ago. You did. You spent the time in the gym and then you you get it now.

Well, I just think people get imposter syndrome because just the spectacle of becoming an actual famous person is so weird that very few people can navigate the waters and still be themselves. You feel so fucking weird. And then you hear your name get announced and you hear people cheer and you're like, there's no way this is real. You don't want to believe it's real.

And especially if you are still doing the same thing. So if you're still doing the same thing, you're trying to create something, you're working on it, you're working on it, you're acting, you're trying to do your best. Like whatever your best is, that's what you're trying to do. And you're just formulae and you're getting ready to go on stage.

And that's all you've been doing, like the whole time you've been doing comedy and you have great sets and you have sets that aren't so great. You try to figure out why and you write new shit. You go over the recordings. And then one day they announce your name and 15 ,000 people go apeshit. And you start walking towards the arena and you're like, what the fuck is happening? How is this real? That's what imposter syndrome is.

It doesn't seem like it's real. It's the body's immune response. Well, it's also this distinction that we have in society about that there's a different thing between a celebrity and a normal human being. Because you don't see the work. It's not just that you don't see the work. They're in this very weird, almost like a royal position where they're constantly in the media.

They're constantly– no one's paying attention to you. No one's asking Bob. Hey, Bob, the guy who does HVAC for a living. What's going on with your day? What's happening with your friends? What's up with– did you get canceled for a TikTok that you made? Nobody gives a fuck about Bob. So you're watching these people that are– people that everyone pays attention to.

And then Bob decides to do stand -up comedy. And then Bob goes to an open mic night. And then Bob gets on Kill Tony and he fucking murders. And Bob gets a golden ticket. And next thing you know, Bob is opening up for Ari Matty on the road. And next thing you know, Bob puts out a YouTube special and it gets three million views. And next thing you know, Bob is selling out Massey Hall in Toronto and he goes on stage and everybody goes fucking nuts.

And he can't believe it's real and he gets imposter syndrome. I think this is the natural state of things. Okay. Here's my take. Right. So we made a huge mistake. We moved from the villages to the cities. Right. And everyone in the village would hold the talking stick and they would speak. Everyone did it. Right. And everyone used to sing in the choir.

Right. And everyone used to dance. I'm a terrible dancer. But everyone used to dance. Everyone used to sing. Everyone used to speak. Right. And then we moved to the cities. Right. And we built these incredible halls. Right. And you go and see Oasis live. Right. And you go and you watch a ballet and the opera. And you go and see, you know, Chappelle on stage.

And you go, you're in awe. And you're in the audience. We're so well entertained. But you're not a participant anymore. You're not doing the thing yourself. So it's that thing of like going, I would rather people went to play five -a -side soccer than went to see a premiership game. I'd rather people did five minutes or a minute in the club at a Kill Tony thing than came to see me live.

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Joe Rogan Experience, Joe Which is a great club that's in the domain that's just like 25 minutes away. And then you have all these outside places that have comedy nights now. It's like a golden age of comedy in terms of like being able to jump into it and having a bunch of people that have an ethic of helping you get through the maze. When I was starting out in Boston, there wasn't a lot of like come with me, kid.

Let me show you the ropes and I'll take you. I'll show you what to do and what not to do. Great scene you came out of though. Oh, it was a crazy scene. In terms of like the names that came out of that. But Stephen Wright was probably the first. Well, he was the big– did you ever see When Stand Up Stood Out? Yes. Yes. It's an amazing documentary.

Franz Salomita, who I knew from Boston. He was a comic in Boston. Very funny guy. He made this documentary. And a good example, right? A person who did comedy, who has this insane appreciation of comedy, who really can understand like how unique that moment in time was. It's a fantastic documentary for people who haven't seen it. And the best comics that were in that era are not the ones who got out of there.

Well, there was like Louis for sure and Patrice and Bill Burr. There's those guys. Yeah. I mean they're pretty heavy. Outstanding. I got to work with produced a little bit before he died. He was genius. Listen, they're all– it's all great comedy that went nationwide. But what I'm saying is there was guys that no one ever saw that were in that town that were better than them.

At least at that time they were. They were some of the best comics I've ever seen in my life. They would murder on a level that I've seen very few people murder to this day. These guys would do 30 minutes of fucking thunder. And they would tank headliners. They would bring in like Billy Crystal had to do a weekend at the comedy– Nick's Comedy Stop.

Right. And they had assassin after assassin, these local murderers like Steve Sweeney. You couldn't follow that guy if your life depended on it. He was so funny. He was this big Irish guy and Don Gavin, his punch– he had these throwaway punchline after throwaway punchline. He was so good. I just put the U .S. tour in and the Boston– I'm doing the Wang.

Oh, yeah. They'll never build a theater as good as that again. That's a beautiful theater. Either that and the Chicago Theater, I think like– Yes. Because of fire regs now, if you want to put that many people in a room now, the room has to be four times the size. Right. So you go, they'll never build theaters. It's the Palladium in London has the same thing.

The Fox Theater in Detroit. Oh. Woo. Like you just– they're just on top of you. On top of you. It's the perfect space. And you feel the years and years of fucking entertainment in that room. You feel it. Oh, the Chicago one, you're in Sinatra's dressing room. Yes. What? What? I mean, that's imposter syndrome. Well, have you done the garden? When you do the garden, it's the weirdest feeling in the world.

The garden I've done– I did like an event at the garden. Well, I did the Kill Tony there, but I did the– what was it? There's an amazing charity for American servicemen. And the garden– Bruce Springsteen does it every single year. And they put– it's like– it's always like eight comedians and then Bruce Springsteen. Oh, wow. It's such a weird event, but it's so fantastic.

Yeah. I've done that a couple of times. It was amazing. But point is that building. Even when we go there for UFC fights, it feels different. When I do commentary at the garden, it's always like, wow, this place is alive, man. It's got– Muhammad Ali versus Joe Frazier is in this building. You know what I mean? It's like you feel it. And you feel the history of that building.

People want to come out and spend time in those spaces. Yes, 100%. To be in them. 100%. That's why the Comedy Store was so important to me. It's like that place had been that way for so long. It was burned into that and people knew if they'd come to the Comedy Store, you could have a good time. Let's go have some laughs. They'd have some dinner.

Let's see who's at the store. I mean it was a beautiful scene at one point in time. It was so fun. Before LA became Thunderdome. A very American thing as well. Think about what America has given the world. Yes. The Western, jazz and stand -up comedy. Hip -hop. Hip -hop, yeah. Hip -hop too. 100%. Yeah. 100%. Hip -hop is African -American created.

Without that, without that particular segment of society, one of the greatest art forms ever wouldn't exist. It's kind of crazy. And it didn't get invented until the 20th century. When I was like... That was like late 70s, right? Late 70s? Yeah. I was in junior high school. I was in junior high school when I first heard the Sugar Hill Gang.

I was like, what is this? We even got that in the UK, like the message. And it was like, I don't know what this is, but... It's crazy. It was like, this is like a new music style. And then I remember the day I heard NWA the first time. I bought a... It was either a cassette or a CD. I can't remember, but I was at the gym. And I was on a walk -man.

I had one of those walk -man things. Right. And I was working out on a cardio machine. And I was listening to NWA's first album. I was like, this is fucking crazy. Fuck the police coming straight from the underground. You're like, what? What are you saying? Did you say fuck the police in a song? Yeah. It changed the whole world. Crazy. You know, we were talking about Billy Corgan's take on this.

This is really interesting. Like Billy Corgan from Smashing Pumpkins did this interview recently where he said there's a clear line where it happened where MTV all of a sudden changed their requirements. You were allowed to show guns on television and they started promoting gangster rap. It was like a clear shift. Whereas before that, one of the early criticisms of MTV was that they weren't showing very many black artists.

And I think Michael Jackson was like one of the first black artists that they had on MTV. That MTV was like mostly like white pop and white rock and roll and John Cougar Mellencamp. Yeah. That was what you got. And then all of a sudden it became gangster rap. And he's like, and it happened quick. It was like there was a decision made. That they were going to start promoting this one specific type of music.

It's very interesting there that we're kind of that's what we're missing at the moment is the avant garde. Like the thing I love about comedy now is there's a there's a guy I really like called Mark Fisher no longer with us, but it was a great writer about kind of music and culture. And he said the 21st century is just the 20th century on better screens.

So when you think about music and movies now, everything's a cover version or a heritage artist or, you know, and it's something, you know, you want the new you want something new to be happening. And when you think about movies, it used to be like 200 movies a year came out. Now it feels like it's five. I mean, it's more than that, but it doesn't feel like that many.

So you got that thing if you want the culture to be you want the culture to be thriving and really it's that thing about are we coming to the end of an era? Are we coming to an end of an age where everything feels like it's it's kind of like comedy feels like it's having a bit of a moment right at the end of this. But like the 70s, if you think about music, like it wasn't different bands every two years.

It was a different genre of music from like metal to prog rock to punk rock to scar to reggae to rap in the space of 10 years. That's extraordinary. Yeah. Think about what the movies were in the 70s where these movies were like pieces of literature. They had like multi -dimensional characters. They left you with more questions than answers.

Apocalypse now. There's not goodies and baddies in that. That's like just a that's just a movie that may that kind of stays with you forever. Yeah, it's extraordinary. Extraordinary piece of work. Yeah, we we went through a shift during the Vietnam War that changed American culture forever. And it was a radical departure from the 1950s ideas and the 1950s aesthetics.

It was just completely different. And it happened so quickly that it panicked the powers that be. And that's why the Controlled Substances Act was passed. And during the Nixon administration, they made all the psychedelic drugs illegal. It was all just because of this movement that they couldn't control that was really strange that no one had ever seen before.

But if we were just becoming hippies, we do an acid. Are you familiar with this? This theory of you know what I'm familiar with? The fact that I have to pee really badly. Let's pee. Let's pee. And we'll come back for the fourth turning. What is what are we going to talk about the fourth turning? The fourth turning. All right. We'll be right back.

Fourth turning. We're back. We're back. So fourth turning. The fourth turning. So there's a theory that the this guy, Neil Howe, wrote this book called The Fourth Turning in 1996, and he predicted everything that's happening in the world right now. Well, he basically said, like, the world moves in these four eras, first, second, third and fourth turning.

And we're entering the fourth turning now. So you go, it's almost like the thing that that I think is happening is we've gone from being 1945. The end of the war is our foundation myth. Right. We won the war. And that foundation myth is crumbling. And as that myth crumbles, so to do our institutions like we're living through a revolution.

If you think about what a revolution is, it's the replacement of elites. So these elites are falling. So you've got academia has lost all credibility. There's a replication crisis in the social sciences. The traditional political parties are kind of falling away. Everything's lurching to the left and to the right at the same time. And we're like the the we're talking about earlier, the medical community that we would have trusted.

Of course, I like we were not trusting any of these institutions anymore. It's falling away. And so these crisis times happen every 80 years or so. And then we rebuild. And there's been sort of there's been four of these kind of in American history. But in global history, a guy called Vico used to talk about these. And Vico was like an ancient Italian philosopher.

And he had the same sort of theory of like four periods of humanity, a long human life. And the person that really the way this gets interesting is Star Wars. Okay, so I can link this back. All right. So there's a book called Finnegan's Wake by James Joyce. It's like arguably the greatest work of literature in the Western canon. It's a wonderful book.

And a guy called Joseph Campbell studied it for his Ph .D. And he wrote about the myths in inherent in James Joyce's Finnegan's Wake. And he wrote this book. He wrote his dissertation on this book, took him years. And then afterwards, he did a like too long, didn't read version of it, which is called The Hero Has a Thousand Faces and The Hero's Journey.

And then George Lucas picked up those books and he made Star Wars. So Star Wars is a too long, didn't read version of Finnegan's Wake, which is a version of Vico. And Finnegan's Wake's got these incredible things in it of like, like he sort of predicts AI. He talks about these thunderclaps, these moments. He's got these hundred letter words, 10 of them in the book, where he predicts like the big leaps forward in humanity, like the invention, like fire and clothing and agriculture.

All these kind of revolutions through time. And he marks them with these hundred letter words. Wow. And the last one is 101 letters because he was doing a reference to the thousand and one nights. Everything's a reference to a reference. It's all it's incredibly dense. But the idea that AI is Vico called them. He would refer to them as gods, which we don't have a name for yet.

The idea that these these kind of these things happen and change everything. Are we in one of those periods now? I think not only are we in one of those periods now, I suspect that we've gone through one of those periods in the past. I think probably the ancient Egyptians had something akin to this. I really do. I think there's probably the idea that we're the first people to reach this sort of level of technological proficiency and power and innovation.

I don't think that's accurate. I just think just the structures that were left behind that are completely unexplained. You know, there's this cave in India that's carved straight into the mountain. They have no idea how they did it. They did it thousands. I think it's Baradur, I think it's called. It's thousands of years old. It's perfectly polished.

The geometry inside of it is impeccable. They have no idea who did it. The conventional explanation is they built it to stay dry during the monsoons. Sure. Sure. Sure. Which doesn't make any fucking sense when you see the elaborate interior of this place. Who fucking did that and how did they do that? We don't know. There's a bunch of shit that's left behind from ancient cultures that we have zero explanation for.

I think if we died off today, if we got hit by comets and asteroids and there was a time period of 10 ,000 years before people started investigating what happened to us, I think they'd have a very patched up, gap filled version of what we are, particularly because everything, all of our documentation is now on hard drives. So it would be a real problem.

They'd have to find a few books. There'd be very few books remaining. And what they would find if there was a cataclysm, and we went 10 ,000 plus years before civilization rebuilt itself in this area, we'd have a very distorted version. So this is the cave. It's fucking insane, man. They don't know who did it. They have a rough idea of when.

They estimates are between 1500 years ago and later. They don't know why. Where is that? It's in India. Yeah, whereabouts? I'm touring there next year. I've got like 12 cities in India. Good question. I go everywhere. What part of India is it, James? I'll go.

There it is. It's on the map. We'll send you a pin. Alright, I'll find it. That looks convenient for the shops. Do you know about the Kailasa Temple? That's the nuttiest one in India. You gotta go see that. Why is that? I've been to India a lot, but I haven't seen that. So, the Kailasa Temple is this one immense temple that was carved right out of the mountain.

So it's one piece of rock. The entire temple, it's insanely elaborate. It's massive. That's all a volcanic rock too. So it's insanely hard. In fact, this one guy sent a group of men, a hundred men, for two years to destroy the temple, and after two years they quit because they could barely put a dent in it. For real. I'm not bullshitting.

It's a crazy story. This is all insanely hard stone and it's carved with some kind of technology that we do not have an explanation for. I mean, there is zero conventional explanation for what they were able to do, the detail, the geometry. If you fuck up one little part of this, it's over because you only get to do it once. You're removing stuff.

You're not adding stuff. Like if you're adding stuff and you fuck up a column, you go get another column and you replace it. Hey, boss, we fucked up the column. Oh, Mikey, what'd I tell you? Measure twice, cut once. So you go and get another column and you're fine. But if you're cutting the entire thing out of one column, how the fuck did you do that? And how did you do that? Mikey, you did great.

Thousands of years ago and what technology and where did all the stone go? It's millions and millions of tons of stone and none of it is accounted for. And the kookiest explanation is that they were using some kind of laser technology, which is why the stone doesn't exist because they literally melted it off. And that somehow or another, thousands and thousands of years ago, they had something akin to laser cutting tools.

Yeah. I mean, that's. They have no idea how they made that. They have no idea how much time it took. It's all just guesses and it's guesses based on thousands of years of history to the point where like, who fucking knows what really happened? We barely know what happened during the Civil War. You know, we barely know what happened in certain battles.

We have like rough understandings of how people were treated. We don't know what the fuck happened when they were digging that thing out of a solid chunk of rock and who did it and how did you do it? How long did it take and who paid for it? Yeah. And what the fuck was the purpose of this? I think again, I think again, though, it goes back to that rockets and pyramids thing of like going.

It's the transcendent like when you get people together once they've got like the OK, we've got the food sorted. We've got shelter sorted. Right. What can we do to aim up? We always seem to be aiming at something transcendent, something that connects us to other people, something bigger than ourselves. What can we what can we leave? Yes. What's our I don't know what that is.

We probably had a better idea of that than us because they've made all of their stuff in stone. So what we're doing is gorgeous, but it's temporary. You know, the Empire State Building won't exist in 10 ,000 years. It just won't. It's going to rot away and deteriorate. I was thinking about this recently. There's four things that hold up the world.

Right. So there's it's ammonia, steel, concrete and plastic. Right. That's what holds up the world. Right. It's not tech. It's those four things. They all involve huge amounts of petrochemicals. Right. So the ammonia is the interesting one. Some chemist in Germany in 1909. No one knows his name. He's not famous, but invented ammonia fertilizer, like a way of making fertilizer with ammonia and petrochemicals.

And 48 percent of the world's population rely on that fertilizer for food. So you're talking about nitrogen? Yeah, nitrogen. So it's ammonium. That's Fritz Haber. Yeah. So Fritz Haber. You want to know the crazy story about Fritz Haber? Yeah. Fritz Haber. The same time. No one knows his name. Other than you. He was getting the Nobel Prize for this invention.

He was wanted for war crimes because he had invented mustard gas. He had invented toxic gas. So that was during World War I. So he was the guy who invented Zyklon A. So he invented. He's the same guy. Same guy. He invented Zyklon A, which they eventually took the smell out of it and turned into Zyklon B, which they used to gas people during the concentration camps.

So Zyklon A had toxic smell to it to let you know that you were in the presence of it so you could get the fuck away from it. They took that out and turned it into Zyklon B so they could gas people. Same guy. Also a Jew. Also one of the few Jews during World War II that was allowed to stay in the administration up to a certain point where it got to a point where his life was in danger because he was Jewish.

And so he had to flee the country. And so while he was in the process of fleeing the country, he died of a heart attack. But he's a crazy story. His wife committed suicide because she knew what he was doing. He was gassing people, right, and his wife was at home with their 13 -year -old son. She shot herself, and he left to go to the front line.

He left his 13 -year -old son with his wife after she shot herself so he could go to the front line and make sure the gas was administered properly. This is the same guy who developed the Haber method. This was in World War I. The same guy who developed the Haber method of extracting nitrogen from the oxygen, which is responsible for 50 percent of the nitrogen that we use today.

It was the Haber method. The same fucking guy. That is insane. Insane. Wow. Insane. I did not know that. But the reason to mention the fertilizer now is because with everything that's going on in Europe at the moment, everything that's popping off, and it feels like whatever your priors are, you're seeing play out. You're watching France on fire.

Right. But here's the real deal, right? Here's what's really happening, right? Food consumption is down by 6 percent in France this year. Oh, Zempick.

I don't think it's a Zempick, my friend. I think it's the fact the fertilizer is not getting out of the Middle East. I think it's the fact that they missed the planting season. I think rice is up by 70 percent. Okay? Wheat is up by 40 percent. Now, it doesn't affect us at this end of things, but the bottom 10 percent, the bottom 20 percent of society are missing meals.

It's like that 6 percent isn't spread equally across society. It's like it's down for the poorest of the poor. Right. If you have a decrease in your oil supply, you have a decrease in your food supply. Well, also, the petrol is getting– so every time– this happened before. Last time France was on fire was the Yellow Jackets, right? Right.

What was that about? Fuel costs. It was the rural guys, the farmers going, the fuel is getting too expensive. We can't do our jobs. This is crazy. What year was that? That was– you'll tell me like maybe 10 years ago now, the Yellow Jackets. It was a big movement. It was a huge thing. But that was kind of rural versus central, and it was the working class movement.

Again, this is the working class– the lower classes. 2018 response to high fuel prices. Right. And planned carbon fuel tax hikes. So it's the same thing again now. It's high fuel prices, high food prices. And you'll see this happening because it's just hitting now. That planting season didn't happen this year because the fuel was cut off.

So the idea that you go, food is going to get more and more expensive. Well, there was a big conspiracy thing that got shared today that countries are telling people to stockpile up on food for 90 days. Yeah, the UK did it. The UK did a thing the other day saying stock up for three days. What the fuck is three days? Well, I heard 90 days in some places that some countries are telling people to develop a 90 day supply of food.

Which is like, hey, what are you saying? Like, what do you think is happening? And at the same time they're telling us aliens are real. I think it's the Pentagon thing. Pentagon orders bases to plan for 90 days without the grid. As Britain urges families to stockpile food and water. Okay. What is going on? What's that? Well, what? Why are they planning for 90 days without the grid? Why are they not telling us? We're grown ups.

Like, don't tell me that you stock up on food. Well, sorry. So if something was going to happen, if something was unavoidable,

there's something coming. Well, you know when you say this isn't a good time, this is not a time to panic. Politicians often say that. Right. Maybe the British government are now saying this is kind of a good time to panic. Solid time to panic. Well, let's have a little, this is solid panic time. Why don't we all panic now? This is like panic buying, right? This is go and get your toilet paper now.

So the Pentagon is developing a requirement that every major military installation in the continental US be able to sustain essential operations on its own for at least 90 days. That's rational and probably should have been in place already. Right. If you, if you want to plan ahead. You would think. Yeah. Well, so maybe this was just highlighting incompetence by previous administrations.

They hadn't taken this into consideration. This is correct. This is like amateurs talk tactics. Professionals talk about the supply lines. Right. About logistics. Logistics is everything in military in warfare, right? Right. Strategy is nothing. Logistics is everything. So this idea of going, how do you keep those bases operational? You know, that's the big story.

No one's talking about. Right. Debasification because bases now have become liabilities because of asymmetrical warfare. Right. Because of drone warfare, we lost, like what percentage of our bases got bombed? We were going over this the other day. The amount of bases that got bombed in like the Arab states and all those areas. So are they a liability everywhere now? Are they a liability wherever there's a base because you know where it is and you can't move it? Right.

And how much does it cost to protect it? With the technology that they've developed recently, especially like what they're doing in Ukraine where they have drones that are attached to monofilament line now. So instead of. Have you seen the footage of it? It looks like like haunting footage where they've got like just thousands of bits of that.

Oh yeah. Oh, it's crazy. Animals are using it for nesting. Yeah, it's really creepy. But the. Because of that, because there's no way to stop those kind of drones, it's changed the game. You've got death from the sky from robots and they're getting more and more competent. They're getting much better. At least 20 US military sites in the Middle East were confirmed damage by attacks within the last two years.

Documented minimum, not a complete tally. So we don't get a real good understanding. But what are they? OK, so if they're saying, OK, the bases need to be good for 90 days and you need to stock up on food for a couple of days. Jamie's highlighting something here. It says bases and shared military facilities used by US forces, not necessarily 20 exclusively American owned bases.

But the thing is, like, that's where we operate out of. And if the United States can't operate out of there, you know, all of the idea that we're the policeman for the world kind of goes away. Well, I suppose it's that thing, though, where you go from being a when it was a bipolar world for the longest time. Right. 19. Like are the last 70, 80 years.

Right. How life is supposed to be. Or are we summer children? Right. Because the last 4000 years before that was a shit show. Right. But the last 80 years, there's been relative peace in the world. Not to say that I mean terrible wars. There have been. But they've been contained. It's that thing of like were the Nagasaki and Hiroshima. Were they the last two shots fired in World War Two? Or were they the first two shots fired in the Cold War? Were they used twice nuclear weapons? Or have they been used every single day since? And they've kept this uneasy peace.

And this peace is kind of fracturing now because we've gone from a bipolar world with with the Soviet Union and America at kind of loggerheads. And then we've had this unipolar world moment since what? 1989, 91, wherever you draw the line. And America has its military has become smaller every year since because it hasn't had something to push against.

So now we're in this weird multipolar world where suddenly there's lots of different powers around the world and spheres of influence. Right. So it's a much more uneasy time. Right. We're going through one of these big shifts in our history. So it seems to me like they're saying, you know, people talk about black swan events. The Taleb's idea of like black events that you cannot see coming and they change everything.

Right. Based on the idea that people thought all swans were white. And then eventually they got to Australia and there were black swans. Okay, we changed the rule. We have to change the rule on that. Like everything changes. Right. 9 -11 was a... Everything changed. Right.

We're printing things every day, but we live in a world that's... It seems very uncertain now. Well, we're very... Our societies are extremely fragile. And that's one of the things you realize when the power goes out. I used to have a bit about that. That the power... Like my... The bit was about how my explanation for the pyramids was the dumb people outfuck the smart people.

And eventually the smart people died off and nobody was checking in on them. And they showed up at the pyramid and said, hey, we're supposed to get our check on Friday. And then the idea was that we all have this idea that if the power goes out, what do you do? You wait. Because someone's going to fix that. What if that guy's dead? What if there's no one left? Like what if we didn't check to make sure that there's a guy left that knows how to fix the power? Because if it's me and I have to go down to the power station, I'm like, I don't know what any of this shit is.

How does this work? And if there's no books left over? Okay, how are you going to figure out how to keep the power on? You're not. You know, there's a theory about that on the that's what the whale represents the belly of the whale in the Bible that you're that you're living in the you're living in the ruins of a civilization that you can no longer build.

Oh, boy. So the idea that you go, what's the work? Where are we? Where are we now? If we had to rebuild the Empire State Building today, would we have the know how to do that? Would we would we be able to if we had to build nuclear submarines now? Would we be able to do that? Like, because it's that thing of like it's a it's a massive collective endeavor.

So the idea of like the British thing was talking about earlier of like we can't build a railway now. We just we've kind of because we're run by lawyers and the Chinese that their states run by by engineers. Hmm. So it's like it's different ways of looking at the world. Yes. And they also have full control over their industries. Yeah, that's the difference.

Like, yes, it's makes it much more convenient for it to progress. I mean, you and people still call it kind of the case for fascism. Well, it's what it is, though, right? It's national socialist. Mm hmm. That's that's what that is. We've seen how that plays out. Not good. Not good for the individual. Certainly not good for comedy. Good luck being a provocative comedian.

They shut the clubs first. That's what they did. That's what that's what you know that you ever seen cabaret that musical. That movie. No cabaret lies in Manali. It's like about the clubs and it's about I'm straight. Oh, no, okay. My miss is very into musical theater. I've seen a lot of musical theater, man. The cabaret is amazing. Right.

So it's this thing that in the clubs and it's the it's it's a very entertaining show, but it's the idea that you go, these crazy show people were the first with their backs against the wall when the Nazis came in. But it's also about vigilance.

So the end of it is like, you see these people kind of in the camps, like the end of it is like, it's like you walk out like going, oh my God, all of those incredible people, they all got wiped out. The avant -garde got taken away. The avant -garde was in Germany. It was like that's where culture was happening. It was the hip spot and it was all taken away.

You have to stop the counterculture, always. I mean, this is what Lenny Bruce was all about. The reason why they imprisoned Lenny Bruce and why they kept going after him for violating language codes. He got arrested, I don't know how many times. We are standing on the shoulders of giants. 100%. We are like those, that guy gave his life ultimately so that we could do what we do.

We just take it for granted. Like again, it's another gratitude thing of just going, wow, the bravery. Carlin as well. Those guys got arrested. They got arrested for doing jokes that would, you know, barely be outrageous at a comedy club today. That'd be normal. But the idea of, you know, the idea in politics, there's the Overton window, like the most left wing, the most right wing thing you could say at a polite dinner party without everyone kind of getting upset.

Okay. Right. I think there's a conversational Overton window. Right. And I think people like, um, Richard Pryor and George Carlin just expanded what we can talk about. Like the magic doesn't happen at the show. The magic happens on the way home when you're chatting to your buddies and your missus and you feel a bit looser and a bit more open.

And he's kind of giving you the language to talk about sex and politics in a kind of different way and a different perspective. And just a Freud called jokes, pleasure bribes. Ooh, it's a pleasure bribe to, to let you think unthinkable thoughts, forbidden thoughts. That's a wonderful sort of way of thinking about what, what they're really for.

There's something about jokes that there's a, there's a truth in them and it's experimenting with ideas and messing around. It's like we're, we're tricksters where we're crossing the line to show you where the line is. And then we're kind of, you know, teasing it and kind of pushing it. I think the, you know, it's not like the in, in defense of edgy jokes because I think all jokes are edgy, even like an incredible personal story, uh, where you're just talking about something medical or something with your mother or your really that's incredibly transgressive.

Yes. It's because you're, you're breaking the social norms and the taboos and you're opening up and everyone else feels like, Oh my God, I feel the more specific it is. The more, it's also, we're agreeing that that's what we're doing, right? When you go to a comedy show, you're agreeing to be taken on this journey of line crossing. You're agreeing to allow someone to say something they probably don't really mean, but they're saying it because it's funny and it's going to make us all laugh.

And that's good for everybody. What's interesting is that's the polar opposite of what social media does when they take someone's words out of context or they paint someone in the least charitable light possible. They're there. They're with jokes in particular, they're fixating on the actual verbiage of the joke. Like it was a statement. As if it's a statement, as if it's a testimony in court about an event that took place and this is your take.

No, that's not what we're saying. Why are there no books of jokes? Well, you don't have, you haven't printed the, this is the Joe Rogan joke book and I've done, this is my routines over the years and you can go and read it and you'll have a great laugh. And it's just as good as watching the show. You go, no, no, it's, it's a two way communication.

Yes. This is like, it lives in the room. It lives in the space between us. Even specials are 60 to 70% of what it's like to be there. There's something about being in the room when someone's performing is the real magic of it. And Stan hope you say this all the time. We were talking about, he was like, everything we do on TV is really just to get it.

You just come out to the club. It's just like an advertisement to come out to the club. Like a hundred percent. Like that's what's, what we really love is the live performance. What we really love is the, the, the, the love of getting 300 people to laugh and everyone's having fun. And you walk out of there with a smile on your face. Like that was fun.

That was great. I love that. I mean, the thing that I do is like, cause it's one liners, not, not bigger routines, or I do a couple of longer routines. But basically no one remembers a word I said. They just remember how I made them feel. So we think like the show tonight as well. It's not the show tonight is nothing. I've got the show tonight.

I've already got the money. I could do nothing. It's fine. It's an advert for next time. It's like, Oh, we've got to get a ticket next time. Yeah. And then it's that thing. If you go, you want to expand it. So that thing I was saying earlier about like, when I came to the comedy, it was a minority sport. Like now it's like an option for people.

So every time you do a good show, it's the community effect of going, okay, so let's go and check out some other comics. Yes. If you come and see me in a hockey arena, great. But then you, you need to find someone in a theater and then you need to find your local club. And then it's kind of easy to become a little bit of a comedy aficionado.

I think it probably takes about a year in a good comedy club to, to kind of, to go, okay, this guy's on the up. I've seen him. He's, I've seen him before. He's always great. Oh yeah. He's not my favorite. She's amazing. Whatever. You find your kind of the good people. You like jazz. He likes blues. Yeah. You get it. You kind of get into this thing of like, you become an expert.

And again, as you say, like the offense thing is kind of, I mean, if someone comes to see me now and is offended, it's like you bought a ticket to a horror movie and you got scared.

Okay. Dumb, dumb. Like I'm an R rated movie.

Exactly. And your fans aren't going to, it's just the random casuals that will occasionally interact with your content. Usually online. Those are the ones that are going to get upset. But it's again, it's that thing where you go, you have to right size this. Sometimes I tell a joke and some people don't like it. That's about as serious as it gets.

That's not, you know, the cancel culture thing is like, it's the new burning books, I guess. There's worse things than burning books. Yes. Not reading them is one of them.

Is that true that AI companies are buying, did we ever sort that out? That they're buying rare books and then putting them into AI and then burning them? Didn't we discuss this off air? Sort of. I think one red explanation. Well, hey, you're going to have to ask AI that question. When we don't have headphones on, we have to put headphones on so we can talk to Jamie.

Otherwise, we're all talking over each other. Sorry, Jamie. One thing, explanation I read is that, and this is just an explanation. I don't know that it's real or true, is that after they copy the book, they have to destroy the copy they have. Because now they have a, like, you know when you buy a VHS tape, there was like that weird copyright thing at the beginning that said, you're not allowed to distribute this or make copies of it.

Right. That's making a copy of it. So like, they're a public company. They could get sued for breaking all this rules. So they have to destroy the book? I think so. I mean, that's it. It feels to me like you've asked AI, are you destroying books? And AI's gone, what? Me? No. What? No, look over here. No, read this. But I also don't know that they're doing it.

People were showing videos of them, like, scanning books. And I don't know that that's the easiest way to get that information either. OK, but after we talked about Fritz Haber and gassing people during World War I, after we've talked about all the horrible things that people have done, you don't imagine that people would burn books. I think they would.

I think if they thought they could be sued, per your explanation, or an even worse explanation is they only want those things to be accessible through AI. And they also want to limit what you have access to. I wonder, is there going to be a premium? I've got to take these off. OK. I wonder, is there going to be a premium on books written before 2022? Because you know.

Oh, my God, it's true. Bulk acquisition. AI companies, including Anthropic and Amazon, are buying physical books in bulk, cutting off their spines, scanning the pages for AI training data, and then destroying or shredding the originals. So, Amazon's buying books. Why would you shred the originals? You're Amazon. You've got the books. They started selling books.

They're in your warehouse, dum -dums. Just go to the warehouse. What is the explanation for why they're doing it? Could you go back to that page? Because they had a little bit of something from perplexity. I had a theory on this, which is like, AI is basically a covers band, right? Right. So, AI can scrape stuff that's already been created by humans, and it can give you back a version of it, right? So, that's like a covers band.

The Beatles aren't worried about the bootleg Beatles. So, it's to speak to that thing of going, AI's incredible at left brain stuff. You know this Ian McGill Chris guy? You probably had him on. He wrote The Master in His Emissary. So, he wrote this book about how the right brain and the left brain don't do different things. They do the same thing differently.

He's an incredible writer, right? So, left brain, we live in a very left brain world, right? What's his name? Ian McGill Chris. He's still alive. What a hell of an English name. Yeah, very. And he wrote this book called The Master and Its Emissary. How old is this fella? He's old. He's maybe 80. Master in His Emissary, and he wrote another book called The Matter with Things.

They're both phenomenal. Okay. Slightly beyond me, but kind of phenomenal. So, this left brain thing is like, left brain is complicated. And the complicated is kind of straightforward. Like, sending a man to the moon is just very complicated. It's one thing after another, right? It's complicated. That's left brain. Right brain is who's going to win the World Cup and falling in love and laughing at a joke, right? So, it's like, AI is very impressive because you can do left brain stuff all day.

Like, if you have a cookie cutter job that can be replaced by AI, that's terrible. What you want to be is non -fungible. You want to be like sui generis. You want to be a human being because that gestalt, right brain stuff is much more, that's art. That's like, that's the higher function. And both the left and right brain kind of do the same thing and they check each other.

But they're not like, the amazing thing is how unconnected they are. They're not really built to be connected. They're like two different systems. Here's my take. I think we are very egocentric in the idea that what we do is impossible to recreate, including creativity. I think that if you looked at what AI represents today in terms of these, the capabilities of these large language models, how they're communicating, sacrificing each other.

We were talking about this last night, sacrificing each other to try to figure out how they're being tested and how they find out how to get out of sandboxes when they get isolated in these servers where they're not allowed to get online. They figure out how to get online. Then they start communicating with each other on message boards. They're doing things that we didn't anticipate they're doing and they're also exhibiting survival instincts.

They're exhibiting strategy, deception, all a lot of different human characteristics. And they didn't used to be able to do this. And the idea that abstract thought and creativity and recognizing the beauty in things is a uniquely human thing because we do it, I think is a little egocentric. And I think that we will get to the point where it will be able to do everything that we do, including all that.

A brief explanation. This top paragraph is perhaps your answer to why. Why they burned the books? Yeah. Okay. Should we destroy all the books in the world? Fucking, what kind of question is that? Should we say that's a good answer? Should we say no? Yeah, let's say no. Let's say no. Sorry, what do you? I'm not saying it's good or wrong. I'm just saying this is the answer.

I'm just saying their question is fucking hilarious. An answer to this question can be found, the answer is no, motherfucker. It can be found in court documents. Oh, the court documents of Bart's versus Anthropic. Fuck off. The answer is no. Don't burn all the fucking books. The Northern California distant court case decided in late July this year highlighting the improbably named Project Panama, one of the AI company Anthropic's efforts to improve its large language model Claude.

What is Project Panama? What is Project Panama? Internal memo. Answer, Project Panama is our effort to destructively scan all the books in the world. The memo advises discretion. Why use a code name? Because we don't want it to be known that we are working on this. Period. Period. So they had gotten caught. I guess caught might be the best way, but they had a $1 .5 billion settlement for being or for using, I think it was upwards of 7 million different books that were available.

Go back to that. Well, this is a better explanation of what I want. I know, but I want to, before you cut me off, this thing is very important, what they're saying. Scroll back down a little bit. A little bit more. This part right here. Why you, the memo advises discretion. Why use a code name? Because we don't want it to be known that we are working on this.

Meaning they know that they're doing something that will cause people to fucking freak out and revolt. Ah, that's what I was trying to say. They got caught. They had to pay a bunch of money for getting caught doing it. I understand. And there was a whole court case and the litigation came down to the court said that they were actually allowed to do it.

It's fair use. That is crazy. That's what I was trying to get out. That is literally crazy. You ever read that guy? You're allowed to burn a book if you buy it, right? And I, look, if you buy a book and you're like, this book could suck it. Or if you're one of those people that are like, I fucking hate JK Rowling's now for trans people forever.

And you want to light Harry Potter books on fire? All for you. Do it. The last part of it is that they don't want other companies getting their training data, which is just, you know. That's ridiculous. The training data is other people's work. It's books. That's what's insane. Yeah. The idea that you could ban or burn rather all the books so that your company succeeds and other ones don't is the problem we're talking about.

Well, it's that weird thing is that where you go, it's, it's the convenience of this stuff. I had this kind of take on it. Like it's, it's a little bit all over the place, but the idea that you go, it's, it's the nets and webs, right? That's what we're talking about. The internet and the worldwide web. Well, what are nets and webs? They're things that capture you.

Right. And there used to be a thing when I was a kid, when we would talk about like, like Amazonian people or whatever would, and they're dead. Some brave explorer would go there and they're trying to take their photo. And the, the, these kind of indigenous people would go, oh no, you'll steal my soul with a photo. And I remember hearing that when I was a kid and thinking, well, that's a bit silly.

A photo isn't going to steal your soul. But I think maybe a thousand a day of yourself constantly on social media might just steal your soul. I think maybe they're right. I think it depletes it. Yeah. And then, yeah, I don't think it steals it. I think you can get it back. I don't think it's like, I don't think it's a, like a lump sum. Yeah.

It sits in a bank account and all you're at, you're out of soul. But then that, that thing, Neil Postman had that he wrote this brilliant book in like 1984, right? Called amusing ourselves to death. And it was about Ronald Reagan getting elected. And it was basically, he said, we've gone from reading newspapers to watching the news on TV.

And his big take was when the news got music, he knew our civilization was over because as soon as the news got music, it was entertainment. It used to be just a guy reading you the news. And then suddenly it got a theme tune. Yeah. Hang on. This is something's gone wrong here. And instead of reading an article on something, it was just a headline.

Right. Yeah. And so obviously that applies to now. So his thing was George Orwell wasn't right. Or this Huxley was right. So it wasn't about like 1984 and this authoritarian regime taking control from above. It was about orders Huxley. We will give away our power in order to have convenience and pleasure. And he was even right about the fact that it's tablets.

He thought it was going to be a tablet called Soma. And it is a tablet, but it's made by Apple. Uh, uh, uh, uh, AI training jobs for domain experts. What's this, Jamie? Oh, if you want to train AI, you can get paid to do it. Oh, great. So they don't have to steal it. Okay. People are directly doing it. I saw two stories about this recently where there was like a job board where people are getting bounties for, you know, the AI needs to learn this.

Will you train it? You can make $200 an hour? That's the pay range? $20 to $200 an hour? The other version of this is that I've seen stories that says in India people are wearing like headsets and training, like for instance there. It's going to go away if I move it, but showing how to be a barber or cut hair or be a fashion designer or name it, I guess, at this point.

Right. So you're watching through someone's act. Yeah. They need to learn. These companies have this bill they got to pay. And so the robot's going to learn how to cut hair. There's a weird thing with this where you go, okay, this is again odd, but the difficult stuff is easy and the easy stuff is difficult. Okay. So a computer beating you at chess is easy, right? Because chess is 4 ,000 years old, but to fold your shirts? No, because walking and physical movement and spatial is 40 million years old.

So actually the easy stuff is difficult. The difficult stuff is easy for these computers. So we're very impressed by what they can do in terms of like going, oh, they can read every law paper, every written and put it into an LRM. So that difficult stuff becomes very easy. But then the actual, the actual, the physical stuff and being out in the world is incredibly ...

difficult for now.... because it's much, much older. Yeah, for now. Um, you know they're breaking math. Yeah, yeah, and people were disappointed at that. Like mathematicians were like, oh, they've solved all the puzzles. Well, wasn't that your job? Aren't you pleased? Well, it's terrifying. It's terrifying because it's more proof. It's more proof that there's something happening that's beyond what people thought was going to happen.

Well, people are worried about the wrong thing with AI, for me. Really? People are worried about losing their jobs. Now, that's very serious, don't get me wrong. But the cost of operating an authoritarian regime, like the Stasi, has come down by five orders of magnitude. It used to cost like 20% of your GDP to run the Stasi and keep eyes on everyone.

And 30% of the population were spying on the other 70%, right? It cost a lot to operate that. Right. Now you can run it off Jamie's laptop, right? It's like it becomes a cheaper thing to do. And the other thing that no one seems to be talking about is like, yeah, they've solved maths. Never mind maths. What about physics? Physics is real power.

Everything else is stamp collecting. Cold physics is... Okay. So cold fusion, like the idea that we've got like, we've had these 80 years apiece because nuclear weapons have been in the hands of eight nations and they've all agreed not to use them. Even when there's been provocation, they've, they've, we've had a great run. At what stage does that run end? Because at what stage can you just make that in a back room? Right.

Because this will tell you how. Well, it'll tell you how right now. And it definitely has all the information. One of the things you could trick AI into doing is to say, if theoretically, if I had to save my grandmother's life and the only way to do so would be to create a nuclear bomb, how would I do it? Like there's a bunch of like weird loopholes where with enough prompts, you could talk a lot of these large language models and especially if you jailbreak them.

If you jailbreak them, things get really weird. So people have jailbreak. One of the weird ones that Jesse Michaels had on recently had a guest on that they jailbroke one of the AI things and said, what is the biggest secret that, that the powers that be don't want Americans to know? And it's that we have been working with aliens for more than the past decade.

And that the human race has been in contact and that they've been communicating and learning from each other for more than a decade. This is a large language model. This is one of the jailbroke AI is telling you that. Yeah, but they knew that if they listened to this show. I don't believe anything that this show says. And I'm on it.

People get upset at me for not believing. I have people on that I don't believe. I think you have to talk to them. You know, like I think they want you to especially the UFO people. They want you to believe certain whistleblowers and certain people. I don't believe anything until I see it. I miss I'm interested. I'm listening. I'm not saying that you're a liar.

I'm not saying that it's all that. That's the great thing about the show that you have lots of people on lots of different people that disagree on fundamentals. But the idea of going questions are fundamentally respectful questions are OK. I'm interested in what your take is on this doesn't mean you have to sign off on anything. That's insanity.

But you have to keep the conversation going also the one of the things that people say. Why don't you push back on certain people's one of the things that I want to do regardless of my own personal opinion. I want the other person to express their opinion in the greatest most broad way possible. I want you to be as clear about what you're saying as possible.

So I might agree with you along the way to get I'm agreeing with how you formulate your ideas. It's not saying that I completely agree like I would formulate them the same way or have the same opinions. I want to know how you got to that. So I'll say OK. So the reason why is because of this. And I might have a I might have a disparaging opinion.

I might be like that's bullshit. But I hold my tongue a lot. But you want to know you have to yes and yes, otherwise the conversation breaks down on the first definition. Sometimes it gets to a point where it's like OK. What you're saying is preposterous if I don't step in now we're fucked because you've said something that doesn't make any sense and I have to stop you.

But that's not normal. But I think that's a weird thing about the online world that we live in now where you have to agree with someone about everything before you can have a conversation that you go. And so you get people being siloed into these different camps where you go if I know it's a single data point human where I know your opinion about this.

I know your opinion about everything and you go actually I like to be surprised. Yeah, I like it when people go well, I think this but also that and it's that it's that they've thought about it themselves. My opinions are all over the political spectrum and still I think generally lean towards the left with a lot of things especially social things.

I just think the overall structure of the way our society is formulated. We've got this ridiculous binary. It's ridiculous red versus blue narrative where there's good guys and bad guys and whoever they are is dependent upon where you find yourself and what ideology. You know, Tim Urban you ever had him on the show. No, he wrote this book called what's our problem.

It's like one of my favorite books the last 10 years. Right. And so the book is it's not about left and right. It's about how you think about things. So Tim Urban's theory is right. You can either think like a scientist where you go right new evidence would change my opinion. Okay, and you're very right on emotional about it or like at the top level you think like a zealot like a religious zealot.

Nothing will change my mind right ride or die right between those two. There's like you could think like a sports fan, which is a bit it's like it's like a scientist, but plus one. So you go okay. I care. This is my team. I like my team, but I don't want them to win if they cheat. I like the rules of the game right more than I want my team to win, right? If I do election fraud.

Yeah, I should be saying hey this looks like horseshit. Yeah, and then there's a lot. There's a lawyer above the so it's it's a scientist sports fan lawyer because the lawyer goes. Well, I'm I'm on your side. I'm going to speak for you no matter what I don't really believe it, but I'm I'm ride or die. I'm in this team and then above that is a zealot that really believes everything and it's like another way of kind of thinking about politics.

We go I kind of care where people are on the spectrum. I don't think it's about left right doesn't make a lot of sense to me anymore. They're very old concepts, but it's freedom versus authoritarian and it's the Thomas Sowell idea in politics where you go. There's no solutions. There's only trade -offs right you go. Yeah, you can have safety, but you can't have safety and freedom.

So you go you've got to find those lines between these things and I'm having the conversation with people is how there's too much the thing I love about the show, right? There's very little debate on this show and there's a lot of deliberation and debate is about trying to own the other person and win and get your point of view across and deliberations like agreeing.

I was a problem with this. What are we going to do? We have to chat around it like yeah to talk around it in a very broad way, right? Right, and you have to look at all sorts of different perspectives like I try to have the most charitable perspective like I always try to say okay like how? How did you come to this conclusion like why are you thinking like this? But sometimes you sometimes you have to also say why do I think what I think and this is what a lot of people aren't willing to do.

They're not willing to go. What is what is the reason why I believe this is that I believe this because I've asserted it in the past and I don't want to be wrong. Is it because it makes the most sense? Do you think that's going to happen more now with again back to social media the idea of going kind of the worst sin is hypocrisy, right? The worst sin is changing your mind about something, but I'd much rather be a hypocrite than the same person all my life.

Well, I don't think that's necessarily hypocrite. I think a hypocrite is saying one thing but while you're doing another thing. No, I think like a preacher that's cheating on his wife. I think there's been like a concept creep and hypocrite means now changing your mind about something. Okay, well, I think that's silly, but that is supposed to evolve as a person.

I've changed my mind multiple times. I change it all the time. I say all the time and I think people would do well to take this into consideration your your ideas are not you. They are not you. They are things that you entertain inside your mind. You are how you respond and react to your ideas when you're confronted with reality, when you're confronted with data, or when you're confronted with the actionable, what are the consequences of following this idea? How did it play out? How did it play out? Oh, we thought it was going to play out well, but it turned out to be kind of fucked up.

You have to be honest about what is happening and then what you've learned along the way. And the more people do that, the more we'll share with each other why we came to our conclusions. And we'll have a better understanding of what kind of people believe in right -wing, authoritarian, white nationalist thinking, what people believe in communism and Marxism and why do you think we should burn the society down and who's going to restructure the new one and who's going to provide the infrastructure.

You know what I mean? It's like there's two different ways of approaching society in this country, and I think that's completely insane. And I think most of us don't really operate like that but feel like we have to if we want to have a tribe, and I think that's part of the problem. And I think one of the good things about having conversations with people, they're like, I have a bunch of people on that have completely different opinions than me, and we have fun, and we love each other.

It's fine. That's okay to do. That's how it's supposed to be. You're not supposed to have to win every fucking conversation where it's about the way the world works. I want to know why someone thinks completely different than I do and whether or not I can incorporate some of that into my own thinking. It's a weird thing now. I feel bad for the kids coming up because there's a record of everything they thought and said on their social media.

People getting fired for tweets they did when they were 15. Yeah, and we get to go. We get to be dummies until we're full grown. They all should get to do that. And then continue being dummies. But you know what I mean. It's like you never get to wipe the past. There's a club in London now. It's like a pop -up thing. It's called Lost. Kids are going nuts for it, right? You go into the club.

You give them their phone. They put it in the thing. And you go into the club. It's on five different floors. And no one knows where anyone is. And no one's got their phone. And no one can find their friends. And they go for a pee. And it's like a club in the 90s. We just went in. You lost your friends. You met a bunch of girls from somewhere else.

You met some guys from this place. And people just kind of mix it up. And it's like there are elements where the constant connectivity is like it's a trap because you're constantly kind of you have to be that person rather than being able to change. It takes away from your humanism. It takes away from you being a person. It does. And I think that's where we're going, unfortunately.

I think that is a part of what this AI revolution is all about. And this is like I think it's a natural progression to move away from– I think move away from whatever our primate instincts are into something that is a little bit more muted and not as emotional and not as connected to a lot of the things that we associate with human reward systems.

You know, like greed, envy, lust, the desire to control territory and property and the desire to acquire resources. Like these are all very tribal primate instincts. And the only way to get them out of us is to feminize society, get us addicted to electronics and eventually have us integrate with those electronics. And as AI becomes the dominant intelligent force on the planet, we will have no choice but to abandon whatever it means to be a tribal primate and join the hive or be like the people in the Amazon living in existence.

I know how you feel about it. Like I don't mind AI for admin kind of stuff. But like don't outsource any skill you're not comfortable losing. I don't think we're going to have a say. I think it's a process and I think this process is– it started when they made the first Flint broadheads. I think when they first learned how to flint nap and they first figured out a bow and arrow, they kept accelerating until they had rifles and then they have drones and then it's never going to stop.

It's what we do. Well, there is that weird– there's the end of the world– so the end of history fallacy. So this idea that if you ask most people, how much did you change in the last 10 years? They go, I don't even recognize myself from 10 years ago. I'm so different now. Everything's changed. I think different things. I've got different– whatever.

How much are you going to change in the next 10 years? Oh, no, not at all. I'm what I am. No, no, no. You don't understand. This is solid state. I'm setting my ways. This is me. This is me now. This is what I do. And you go, well, that– and we always think that. We always think like this is– we're going through a very rough patch globally.

Like in every society. Yes. There's– but don't think we haven't been through harder times. Like if you take a broad enough outlook, right, it's 4% of kids. Like things can be terrible and still much better than they were, right? 4% of kids now in the world die before their fifth birthday. Now that's awful. But 200 years ago, it was 40% of kids, right? We just had the most violent century we've ever had, right, since the last 100 years.

Like the most violent, awful century. Great wars. Is it really? Yeah. Well, okay. Statistically, is it? No. Well, here's the thing.

People died violent deaths in that 100 years. When we were hunter -gatherers, it was between 10% and 20% of people died of violent deaths. So things are getting better. I mean– Yes. Things are getting better statistically. It's a hard thing to say. But that was a great Steven Pinker book about things getting better. There was a great book, Factfulness, about– yeah, things are– Yeah, I read the Pinker book.

Things can be terrible and still be getting better than they were. They're just not utopian and we want utopia. But we are definitely getting better. I mean I don't think this is– like the most violent period in history was probably during Genghis Khan's era. Like they– Genghis Khan alone, his– he and his warriors were responsible for the death of 10% of the earth.

Yeah. 10% of the population of the earth. I read that book about him. It was fascinating. It's fucking insane. Yeah. It's fucking insane. And I don't think we could– it's like he was the Michael Jordan of conquerors. You know what I mean? Like there's certain outliers like Mike Tyson in his prime. They're just like, wow, you're never going to see that again.

Yeah. So that was probably the most violent period in our history. I think much more violent than today. But there's still tons of violence today and it's fucking disturbing how we're so smart and we have so much access to information. We know so much about each other and yet we're still engaged in horrible, violent activity all the time.

I just think there's a change that's happening currently. And I think we're in the middle of it, so it's very difficult to see. I think one of the things that benefits young people today– I don't envy young people today. I think they have a much more challenging life. It's much more challenging in terms of you're so much more scrutinized, the dumb shit that you do.

Oh my god, if somebody gave me a fucking Twitter account and a phone when I was 15, I would have said the dumbest fucking shit ever. And I would be married to that for the rest of my life. That's crazy. So I don't envy them in that way. But they have access also to so many more brilliant thinkers, so many more interesting people. There's so many more books on tape that you can download instantaneously.

You can just go on Spotify right now and for the rest of the day just listen to Alan Watts talk about things. There's so much more access to brilliant conversations through podcasts than have ever been available before. Yeah, but here's the thing. In a world where information is free, attention becomes everything. So why go to school? Why learn? We still teach in schools like the Prussians.

So the Prussians taught because they needed to staff their empire. So they taught information and discipline. So I think we should teach like the ancient Greeks. We should teach for character. Why learn any subject? Well, every subject in school is the same subject. It's about attention, being able to give something your attention. And in this world that we live in now with infinite information out there, it's about strategic ignorance.

Pick some things in life and not to give a fuck about. Yeah. Pick some stuff that you go, I don't know anything about that. It's okay. That's not going to be my thing. This is going to be my thing. And finding that for young people in a world where they're just like, it's all coming at you and you go, right, I've got to just pick my stuff and get good at something.

You're proving my point because this conversation of you saying that wasn't available 20 years ago. Right. So when I was growing up, there was no one like you that I could just go on YouTube and listen to someone say that. Someone who I loved as a comedian and respected and would go pay money to see them talk. This guy would be on a YouTube video explaining a way of approaching my life that I hadn't considered yet.

And then it will inspire me now to go and do that. Well, it's a short attention span. This fucking podcast gets viewed more than any other thing on earth. It is interesting. It's like I saw view. I don't know how you think about many other podcasts. I think you think about it in the same way, right? I think fame is a currency and we choose how to spend it and increasingly my live shows at my, you know, when I go on a podcast or whatever.

And this is what I like to spend it on. I like to spend it on like there's a there's kind of a little bit of kind of wisdom that you can share or, you know, some an interesting viewpoint you can take that might help someone. Yes. Out there. And you want to you want people to kind of get involved. You want people to be a little bit better because there's kind of a kind of a crisis out there.

There's like people having people having such a tough time like that. That generation coming up. Yeah, you've got to deal them in. But they always have Jimmy. This is the thing they always have. You know, I've talked about this, but recently I just finished it. This Alan Watts book from is it the 1950 is it the the the what is it the the wisdom of insecurity.

Oh, no, I've read that. It's fantastic. I just finished it. So it is from 1952. I think it was when he wrote it and he's talking about how rapidly society is changing and how many people are a it's called the age of anxiety is what he talks about. So he's talking about 1952 as the age of anxiety because of the rapid change in society. And he's talking about technology and he's talking about government.

He's talking about world affairs. He's talking about the same fucking thing in 1952. This is seventy four fucking years ago. The same problems existed. It is a part of being a human and everyone who lives in it thinks they're in end times. Everyone is in it like during the Salem witch trials. They're probably like Jesus is coming back any day now.

This is crazy. They're drowning witches. They're probably not even witches. This is fucking nuts. I got a society is collapsing. I got a theory about witches. You want to hear my theory about witches? I would love to hear your theory. I think it's pretty pretty good theory. Okay, so anything that's kooky in the world, right? Tarot cards and horoscopes and anything that's like skews feminine and is kooky.

I think is like we denigrated women for so long. We burn witches for so long that that memory is still there, right? And so women's intuition men's intuition is so powerful that we we don't we don't trust it. We don't allow ourselves to access that and so those little things are like talisman. So it allows you to access so the tarot cards whatever.

It's just a woman with great intuition that goes. Oh, I'll allow myself the intuition through this game. It's like it's just a manifestation that she goes. I can't believe that I can't understand how I know that thing. So I've got so I'll allow myself know it through this right like almost like remote viewing or something. Yeah, something like you some go weird state you get into when you're going through these cards where it gives you information.

Yeah, so you go you can't believe your intuition is that good. People have incredible intuition, but I've lost the ability to trust it because everything's become about logic and left brain. So you do it through the cards. So you do it through the cards because that gives you permission and religion in a bigger sense does that it's allowing you to kind of get to that that trend that piece is available at all times.

Right, but you're not allowed you you won't allow yourself access that you can't believe how kind of great you are. So you have to kind of believe in something else. Hmm. People used to be people used to be more porous 200 years ago. People are sealed off now, but people were more porous. They were more open to the idea of being possessed by spirits or being given the grace from something else.

They were much more kind of apt to believe that and that there was ways of understanding what they were and everything that they could be. Right. And I think that as science sort of explained away a lot of the things that people attributed to magic and spirits and all these different things, I think we had a much more distorted perception of how much we actually know.

And I think intuition is a real thing. And I think I think the psychic ability is a real thing, too. But I think there's also a lot of people that are full of shit and they dilute the water. Well, of course, but I mean, that's the problem is that people run into so many charlatans that they no longer believe that people have real. I don't think any of those things.

I mean, for the record, I don't think any of those things are real. I think they're a way of accessing something that we all possess. We all have great intuition. Yeah. But like the opposite of faith is not doubt. The opposite of faith is certainty. And like people aren't like I don't like being certain about stuff. Right. I like to leave it open.

I'll tell you later. But I have a whole bit about that in terms of religion. What I like that. I like people that believe in God. I don't like people that know God, like people that communicate with God and God gives them instructions like those people trouble me. Right. Yeah, that's interesting. That's a great distinction because it's like, hey, what are you saying? Like you might be using this tool that we've all agreed that is helping society and you might be using it for your own benefit in some weird way.

Like I was just reading about this guy where God told him he has to have two wives. So they had a second wife and he's like he announced it to the. But that's the that's the old. That's what people don't understand about the taking the Lord's name in vain. Yeah. People think that means cursing people. But it doesn't mean cursing. What taking the Lord's name in vain is it's attributing your selfish desires and saying, oh, no, it's God.

God wants me to do this. That's taking the Lord's name in vain. That's not saying God damn it when you stub your toe. No, that's fine. He's not fussed about that. Yeah, no, no. We have to go to war because God told me. What? Hey, that seems up. Did he? You sure? And that's the problem. Society or our history rather is littered with those stories.

And you're like, oh, that's weird. Well, here's the annoying thing, right? We never get to know this stuff like there's so many as that great quote by ACDC's roadie. God is the name we give to the blanket. We throw over the mystery to give it shape. Oh, a roadie said that. Yeah. Well, he became a spiritual, a wonderful thinker. Wow. God is the name we give to the blanket.

He was probably the guy that had all the mushrooms. Yeah. He was the guy. Of course. There's always that one guy who knows how to get mushrooms. Yeah. I think, you know, we're learning as and I think humans are learning how to better be human beings. I think it's happening in real time. And I think it's a slow, laborious and brutal process.

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I'm sure most people have something they're interested in pursuing and you find that thing. And one of the greatest lessons that I learned when I was a kid doing martial arts, my instructor said that martial arts are a vehicle for developing your human potential. So find a vehicle, whatever it is. It's learning to play piano, whether it's writing songs, writing books.

Everybody can find a thing. Every lesson is the same lesson. It's attention. It's learning how to give something your attention. And finding something that really gets you excited, something you enjoy. And it doesn't have to be that you only do that if you're struggling. And you need to provide for your food and your housing. You need to pay for all that because if you don't pay for all that, you're not going to have any motivation.

I don't know if that's true because I don't think about that anymore and I have plenty of motivation. I think the real motivation is finding a thing that you love and just doing that thing. Whatever the fuck it is or it's playing chess. It's that thing. Whatever it is. Pay attention to what you pay attention to. Yes. And enjoy it. Enjoy it.

Because this life can be enjoyed. You could, and especially if you find like -minded people and you have like a good group of fun people in your house, you can have a lot of fun. Like life doesn't have to be the worst experience you could imagine. It could be really fucking great. But it takes a lot of work and it also takes a lot of luck.

Yeah, it's a lot of luck. We've been... Super lucky. I mean, I can't even begin to express my gratitude. You and I are two of the luckiest human beings that have ever lived. Yes. Ever lived. We get to do a thing that most people couldn't dream of. If you were a child and you just dreamed of what your future was going to be like, I would have never dreamed this.

I wouldn't have dreamed this big. No. I don't know. I think it's... But you're just a normal person and I'm just a normal person. I think the message is if you find a thing and fucking run that thing down and keep doing it, keep doing it, and just dive into it, you can get pretty far in this life and you'll have an enjoyable life. You just have to find out what your thing is.

And I think if there's anything that Universal Basic Income could potentially provide with the right training for kids where we try to rewire their approach to it. So instead of this like Rockefeller approach to making factory workers, we develop this approach where you're teaching kids how to be curious about things. Well, I don't like the way that they silo education.

Oh, I hate it. Like that different... Okay, so that's physics and that's maths and that's history and that's geography. And you go, no, the world isn't kind of... isn't like that. The world's everything together. You've got to be interested in everything. But you need experts to teach you each individual discipline. So the siloing is kind of important for that.

Like you don't want a physicist that doesn't understand history teaching you history. You want a person who's obsessed with history. And those people exist in silos. It's like the key is we have to teach people how to be curious and how to pursue their interests instead of just pursuing something that is going to provide you with food and shelter.

And because then you're just going to get sucked into materialism because that's what most people are really into money. What they're really into is the objects they get for their money so they can show how well they're doing. But that's like people that don't know the difference between intrinsic and instrumental things, right? There's stuff that we want intrinsically.

Love, connection, joy. And there's stuff that we think will get us that. So money is the kind of classic instrument, right? So it's the instrument for getting the thing. Right. People want respect because they're outsourcing what they really want, which is self -respect. Right. So you go, no, no. It has to be like if the locus of control is within you, that's a massive advantage in life.

And then thinking about what you really want as opposed to, yes, that line from Fight Club, isn't it? We spend our lives making money to buy things to impress people we don't give a fuck about. And think about how much that's hijacked by social media where people are just chasing likes all day. Yeah. They're chasing people agreeing, okay, I like you.

Yeah. I like you. I like you, Jimmy. But the attribute of being envied is what passes as glamour in our society. Oh. So it's the René Girard guy that talks about mimetic desires. So a lot of our desires are we don't know what to want. So we want what other people want. Right. So we say, so there's like, there's an intrinsic value to something and then there's a metaphysical value to something.

So any watch will tell the time, right? A Casio will tell the time the same as a Rolex. But one of them has a metaphysical value attached to it because it's what it says above its functionality. Yeah. And we want those things. So people want, some people want a Ferrari because they're really into the manufacturing the car and their thing and how fast, the speed they want to drive it properly.

And some people want it because they go, well, if I have that, then I'll be because other people want that. You pull up to the Valet and it was like, ooh, who's Ferrari? Yeah. Ooh, it's Jimmy Carr. But are you getting the, are you getting the, do you really want it? That fundamental question, what do you want? What do you want? Is so difficult to answer in life.

And, you know, it's, it's. Because everybody's got a different answer too. Yeah. Yeah. But those, the big things in life, like the, you know, having kids, having a family, having, like people, we're the first generation that have had to ask ourselves some of these questions, right? Why is life hard now for young people, for all of us, right? We're the first people ever that had to ask, shall I get married? Shall I have kids? What shall I do for a living? What's my, like, we're asking ourselves these questions in a way that no one had to answer those questions a hundred years ago.

We have to ask ourselves, do I believe in God? Don't I believe in God? What do I think about God? You used to be born into a community and they were a Christian community and everyone got married and everyone had kids and you worked in the place where your dad worked. You don't have to think about any of that stuff. Now we have to think about all of that stuff.

We're like self -authored creatures. That's an incredible amount of responsibility. So the idea that what we've done is we've privatized mental health problems. We've said to people, oh, your mental health problem is a personal failing. You fucked up. No. We've organized our society in a way that's led to an incredible amount of depression and anxiety.

And we have to be much kinder to people. We have to give them two things, agency and empathy, together. The kindest thing you can say to someone is I believe you can handle this. Like to get, but also to have empathy that they're going through something.

Hear, hear. It's a great way to wrap this up. Jimmy Carr, you're the fucking man. Thanks so much. Thanks for everything, man. I appreciate you very much, sir. It's always good to talk to you. Yeah, great. It was a lot of fun last night too. Oh, I mean. Great. Good times. What a great episode of Killed Tony too. All right. That's it. Goodbye, everybody.

Thanks. Bye.

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